Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/12084
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dc.contributor.authorGilabert Barberà, Paucat
dc.date.accessioned2010-04-14T09:05:40Z-
dc.date.available2010-04-14T09:05:40Z-
dc.date.issued2003-
dc.identifier.urihttp://hdl.handle.net/2445/12084-
dc.descriptionPodeu consultar la versió en català a: http://hdl.handle.net/2445/12085; i en castellà a: http://hdl.handle.net/2445/12083cat
dc.descriptionVersió de l'article anteriorment publicat a: Itaca: quaderns catalans de cultura clàssica v. 19, (2003) p. 189-216cat
dc.description.abstractThe aim of this article is to prove the real possibility of travelling intellectually to the Platonic image of the cave from different films. In this sense, one can speak of explicit references as in The Conformist by B. Bertolucci or in Shadowlands by R. Attenborough -if one bears in mind the Chronicles of Narnia by C. S. Lewis- or The Picture of Dorian Gray ¿if one bears in mind the well-known O. Wilde¿s novel-, but, on other occasions, although the Platonic influence cannot be proved, for instance in The Truman Show, A Room with a View or Brideshead Revisited, one can perfectly think of these films in order to guide the contemporary audiences to that Platonic image, since Plato himself affirms that it deals with an image which can be easily applied and, in first place, to his idealistic philosophy.eng
dc.format.extent22 p.-
dc.format.extent260265 bytes-
dc.format.mimetypeapplication/pdf-
dc.language.isoengeng
dc.relation.urihttp://hdl.handle.net/2445/12085-
dc.relation.urihttp://hdl.handle.net/2445/12083-
dc.rightscc-by-nc-nd, (c) Gilabert, 2003-
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/-
dc.sourceDocuments de treball / Informes (Filologia Clàssica, Romànica i Semítica)-
dc.subject.classificationMite de la caverna (Al·legoria)cat
dc.subject.classificationPlatonismecat
dc.subject.classificationTradició clàssicacat
dc.subject.classificationImatge (Filosofia)cat
dc.subject.classificationFilosofia gregacat
dc.subject.classificationCinematografiacat
dc.subject.classificationForster, E. M. (Edward Morgan), 1879-1970cat
dc.subject.classificationLewis, C. S. (Clive Staples), 1898-1963cat
dc.subject.classificationWaugh, Evelyn, 1903-1966cat
dc.subject.classificationWilde, Oscar, 1854-1900cat
dc.subject.classificationTruman show (Pel·lícula cinematogràfica)cat
dc.subject.classificationConformist (Pel·lícula cinematogràfica)cat
dc.subject.classificationShadowlands (Pel·lícula cinematogràfica)cat
dc.subject.classificationPicture of Dorian Gray (Pel·lícula cinematogràfica)cat
dc.subject.classificationRoom with a view (Pel·lícula cinematogràfica)cat
dc.subject.otherPlatonismeng
dc.subject.otherPlato's cave (Allegory)eng
dc.subject.otherPlatonismeng
dc.subject.otherClassical traditioneng
dc.subject.otherImage (Philosophy)eng
dc.subject.otherGreek philosophyeng
dc.subject.otherCinematographyeng
dc.subject.otherForster, E. M. (Edward Morgan), 1879-1970eng
dc.subject.otherLewis, C. S. (Clive Staples), 1898-1963eng
dc.subject.otherWaugh, Evelyn, 1903-1966eng
dc.subject.otherWilde, Oscar, 1854-1900eng
dc.subject.otherTruman show (Motion picture)eng
dc.subject.otherConformist (Motion picture)eng
dc.subject.otherShadowlands (Motion picture)eng
dc.subject.otherPicture of Dorian Gray (Motion picture)eng
dc.subject.otherRoom with a view (Motion picture)eng
dc.titleCinema Roads to the Platonic Image of the Caveeng
dc.typeinfo:eu-repo/semantics/workingPapereng
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Documents de treball / Informes (Filologia Clàssica, Romànica i Semítica)

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