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dc.contributor.authorGilabert Barberà, Paucat
dc.descriptionPodeu consultar la versió en català a: ; i en castellà a:
dc.description.abstractIn Death in Venice Thomas Mann refers explicitly to Plato's Symposium and Phaedrus in order to explain the relationship between Gustav von Aschenbach and Tadzio but he hides that his novel also depends on Plutarch's Eroticus. Why? The aim of this article is precisely to reveal the different reasons for such an attitude. Indeed, Plutarch speaks highly of conjugal love in his Eroticus and this way is not followed by Mann in Death in Venice but, at the same, the German writer finds in this Plutarch's philosophical dialogue all the necessary elements to build his story of masculine love and decides not to manage without it.eng
dc.format.extent26 p.-
dc.format.extent260252 bytes-
dc.rightscc-by-nc-nd, (c) Gilabert, 2008-
dc.subject.classificationMann, Thomas, 1875-1955. Tod in Venedigcat
dc.subject.classificationPlutarc. Amatoriuscat
dc.subject.classificationEros (Divinitat grega)cat
dc.subject.classificationFilosofia gregacat
dc.subject.classificationTradició clàssicacat
dc.subject.classificationLiteratura alemanyacat
dc.subject.classificationEstudis gais i lèsbicscat
dc.subject.otherMann, Thomas, 1875-1955. Tod in Venedigeng
dc.subject.otherPlutarch. Amatoriuseng
dc.subject.otherEros (Greek deity)eng
dc.subject.otherGreek philosophyeng
dc.subject.otherClassical traditioneng
dc.subject.otherGerman literatureeng
dc.subject.otherGay and lesbian studieseng
dc.titleThomas Mann's Death in Venice or Plutarch's way towards Eroseng
Appears in Collections:Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)

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