Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/165781
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dc.contributor.authorMarcos Hierro, Ernest, 1963--
dc.date.accessioned2020-06-16T09:42:18Z-
dc.date.available2020-06-16T09:42:18Z-
dc.date.issued2019-
dc.identifier.issn2014-1386-
dc.identifier.urihttp://hdl.handle.net/2445/165781-
dc.description.abstractABSTRACT This article examines as a case of «mythopoiesis» the creative use of the myth of the abandonment of Ariadne in Naxos and her later union with the god Dionysus-Bacchus at the opera Ariadne auf Naxos by Hugo von Hofmannsthal and Richard Strauss. With the introduction of the character of Circe as the previous loving pretender for the young god, Hofmannsthal turns the «deus ex machina» of the original fable in the subject of a mutual process of love with Ariadne presented as an «allomatische Verwandlung», a reciprocal metamorphosis. KEYWORDS: Hofmannsthal, Strauss, Òpera, «mythopoiesis»-
dc.format.extent10 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isocat-
dc.publisherUniversitat de Barcelona-
dc.relation.isformatofReproducció del document publicat a: https://doi.org/10.1344/AFAM2019.9.2.14-
dc.relation.ispartofAnuari de Filologia. Antiqua et Mediaevalia, 2019, vol. 9.2, p. 143-152-
dc.relation.urihttps://doi.org/10.1344/AFAM2019.9.2.14-
dc.rightscc-by (c) Marcos Hierro, Ernest, 1963-, 2019-
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/es-
dc.sourceArticles publicats en revistes (Filologia Clàssica, Romànica i Semítica)-
dc.subject.classificationMitologia grega-
dc.subject.classificationÒpera-
dc.subject.otherGreek mythology-
dc.subject.otherOpera-
dc.titleMetamorfosi i divinització a l'Ariadne auf Naxos d'Hugo von Hofmannsthal i Richard Strauss-
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.identifier.idgrec701794-
dc.date.updated2020-06-16T09:42:18Z-
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)

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