Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/180538
Full metadata record
DC FieldValueLanguage
dc.contributor.authorMontoya, Pep-
dc.date.accessioned2021-10-11T15:03:30Z-
dc.date.available2021-10-11T15:03:30Z-
dc.date.issued2012-
dc.identifier.issn1647-6158-
dc.identifier.urihttp://hdl.handle.net/2445/180538-
dc.description.abstractAbstract. Arises in the presentation using what is apprehended from the reality closer to the identity of the artist, in a duality of 'accumulation-stripping' to build a creative language, nourished by the fact that the environment is capable of synthesizing this reality in pure pictorial matter in which the gesture, acts both as a symbol of the perceived primal as the intrinsic value of the 'painting-painting' in itself, Keywords: Perception, síntesis, creative language, symbol, picture-painting-
dc.format.extent7 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isospa-
dc.publisherFaculdade de Belas-Artes da Universidade de Lisboa y Centro de Investigação e Estudos em Belas-Artes (FBAUL/CIEBA)-
dc.relation.isformatofReproducció del document publicat a:-
dc.relation.ispartofRevista :Estúdio, artistas sobre outras obras , 2012, vol. I, num. 5, p. 381-387-
dc.rightscc-by-nc (c) Periodicos CSO / Revista Estúdio, 2012-
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/-
dc.subject.classificationPintura-
dc.subject.classificationHistòria de l'art-
dc.subject.otherPainting-
dc.subject.otherArt history-
dc.titleAcumulación y despojamiento en el lenguaje pictórico de Joan Hernández Pijuan-
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.identifier.idgrec615060-
dc.date.updated2021-10-11T15:03:31Z-
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Articles publicats en revistes (Arts Visuals i Disseny)

Files in This Item:
File Description SizeFormat 
615060.pdf19.84 MBAdobe PDFView/Open


This item is licensed under a Creative Commons License Creative Commons