Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/54809
Title: Cycle: White under Black. Works from the imperceptible / 3. Freya Powell: I’ll smile and I’m not sad, and other past presents
Author: Powell, Freya
Keywords: Art
Història
Exposicions
Art
History
Exhibitions
Issue Date: May-2014
Publisher: Arts Santa Mònica
Abstract: The video installations of Freya Powell's first exhibition in Barcelona call for an analysis of the links between memory and the archive, between compilation, registration, and the traces of History. Powell's work establishes a fine link between the memory of those sentenced to death in the United States, the memory of the Second World War, the artist's own memory, and the different world maps produced by colonial history. This link forces us to take into account our own connection not only with the voices and words that have been archived, but also with those voices that we want to hear and register.
Note: Podeu consultar la versió en català a: http://hdl.handle.net/2445/54807 i la versió en castellà a: http://hdl.handle.net/2445/54808
It is part of: Catàleg de l'Exposició: Blanc sota negre. Treballs des de l'imperceptible / 3. Mar Arza: Lectures i consums..., Arts Santa Mónica. 07.05—22.06.2014. Comissariat per Joana Masó (Centre Dona i Literatura) i Assumpta Bassas (Universitat de Barcelona)
Related resource: http://www.ub.edu/cdona/en/activitats/cicle-expositiu-blanc-sota-negre-freya-
http://hdl.handle.net/2445/54807
http://hdl.handle.net/2445/54808
URI: http://hdl.handle.net/2445/54809
Appears in Collections:Llibres / Capítols de llibre (Grup de Recerca Creació i pensament de les dones)

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