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https://hdl.handle.net/2445/119763
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DC Field | Value | Language |
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dc.contributor.advisor | Pons Arnal, Sara | - |
dc.contributor.author | Vico Sanchez, Aaron | - |
dc.date.accessioned | 2018-02-12T16:16:07Z | - |
dc.date.available | 2018-02-12T16:16:07Z | - |
dc.date.issued | 2017-06-14 | - |
dc.identifier.uri | https://hdl.handle.net/2445/119763 | - |
dc.description | Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017, Tutor: Sara Pons Arnal | ca |
dc.description.abstract | [spa] El tema de mi trabajo es el poder. No uno en concreto, ni tampoco en si mismo, sino mas bien sus relaciones y efectos. Intentando expresar fuerza y oposición a la vez. La escultura consiste en un conjunto de 16 estructuras geométricas en suspensión. Piezas livianas construidas en varilla de hierro, a medio vestir por film de polietileno. Mediante líneas de hierro que cortan el espacio en tensión con membranas de polietileno mas o menos transparente. Consigue agenciarse el espacio con poca presencia material, señalándolo, no ocupándolo. Utilizando el concepto de ventana para visibilizar el efecto de distorsión de un dentro y fuera de escena. El conjunto esta dispuesto en una matriz circular constituyendo espacios interiores y exteriores transitables por el espectador, donde la experiencia de ellos no tiene definido un principio y un final. Dándose la observación en forma de eterno retorno, de un sistema que alude a la idea de expansión, degenerándolo y colapsándolo, a la vez que cuestiona los limites del espacio donde se ve expuesta. | spa |
dc.description.abstract | [eng] I focus my work on power; not a specific one, nor power itself, but its relations and effects, trying to convey strength and resistance at the same time. The sculpture consists of a set of 16 geometrical structures in suspension; light pieces built using little iron rods covered with polythene. These thin iron-made lines, coated with almost transparent layers of polythene, cut, draw, and add tension to space; they manage to conquer space with little material presence by ‘pointing’ at it, not occupying it. By using the concept of ‘window’, a distortion effect of an inside and an outside scene is made visible.The set is arranged in a circular matrix comprising internal and external areas through which the audience can pass, and where their experience has no definite beginning or ending. A vision of eternal return is observable in a system that alludes to the idea of expansion, degenerating and collapsing it, and at the same time uestioning the boundaries of the exhibition space. | eng |
dc.format.extent | 57 p. | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | spa | ca |
dc.rights | cc-by-nc-nd (c) Aaron Vico Sanchez, 2017 | - |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/es/ | - |
dc.source | Treballs Finals de Grau (TFG) - Belles Arts | - |
dc.subject.classification | Escultura | cat |
dc.subject.classification | Poder (Filosofia) | cat |
dc.subject.classification | Geometria en l'art | cat |
dc.subject.classification | Treballs de fi de grau | cat |
dc.subject.other | Sculpture | eng |
dc.subject.other | Power (Philosophy) | eng |
dc.subject.other | Geometry in art | eng |
dc.subject.other | Bachelor's theses | eng |
dc.title | Poder | spa |
dc.type | info:eu-repo/semantics/bachelorThesis | ca |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | ca |
Appears in Collections: | Treballs Finals de Grau (TFG) - Belles Arts |
Files in This Item:
File | Description | Size | Format | |
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TFG BBAA AARON VICO.pdf | 8.83 MB | Adobe PDF | View/Open |
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