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http://hdl.handle.net/2445/131031
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DC Field | Value | Language |
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dc.contributor.author | Llevadot Pascual, Laura | - |
dc.date.accessioned | 2019-03-28T16:40:13Z | - |
dc.date.available | 2019-03-28T16:40:13Z | - |
dc.date.issued | 2018-12-01 | - |
dc.identifier.issn | 1885-5687 | - |
dc.identifier.uri | http://hdl.handle.net/2445/131031 | - |
dc.description.abstract | [spa] El propósito del presente estudio consiste en pensar el funcionamiento del cine y sus dimensiones políticas a partir de una lectura cruzada de Benjamin y Derrida. En primer lugar, se analizarán algunas lecturas críticas de La obra de arte en la era de su reproductibilidad técnica, con especial acento a los conceptos de aura y fantasmagoría. En segundo lugar, se valorarán los modos en que el cine resulta un aparato con potencial emancipador, para cuestionar planteamientos metafísicos inherentes a su concepción política como su capacidad ideológica de velar o desvelar la realidad o el fetichismo de las imágenes. Finalmente, se recurrirá a los conceptos derridianos de espectro, huella e injerto para hallar en el cinematógrafo un potencial político consistente en la producción de una alteración de la sensibilidad y de nuevas condiciones para la experiencia. | - |
dc.description.abstract | [eng] The aim of this study is to think about the political dimensions of cinema and its technical functioning through a cross-reading of Benjamin and Derrida. Firstly, the paper will analyze several critical readings of The Work of Art in the Age of Its Technological Reproducibility, with emphasis on concepts such as aura and phantasmagoria. Secondly, it will tackle the ways in which cinema becomes a machine with emancipatory possibilities. This evaluation will question the metaphysical assumptions inherent to cinema's political conception, such as its ideological ability to veil or unveil reality and the fetishism of filmic images. Finally, the study will invoke the Derridian concepts of specter, trace, and graft, in order to find a political dimension of cinema consisting in the production of an alteration of sensibility and of new conditions of experience. Keywords: Derrida ; Benjamin ; cinema ; specter ; phantasmagoria ; politicization of art | - |
dc.format.extent | 19 p. | - |
dc.format.mimetype | application/pdf | - |
dc.language.iso | spa | - |
dc.publisher | Universidad Complutense de Madrid | - |
dc.relation.isformatof | Reproducció del document publicat a: https://doi.org/10.5209/ESIM.62765 | - |
dc.relation.ispartof | Escritura e Imagen, 2018, vol. 14, p. 103-121 | - |
dc.relation.uri | https://doi.org/10.5209/ESIM.62765 | - |
dc.rights | (c) Universidad Complutense de Madrid, 2018 | - |
dc.source | Articles publicats en revistes (Filosofia) | - |
dc.subject.classification | Filosofia de l'art | - |
dc.subject.classification | Cinematografia | - |
dc.subject.classification | Política en l'art | - |
dc.subject.classification | Fantasmes | - |
dc.subject.other | Philosophy of the art | - |
dc.subject.other | Motion pictures | - |
dc.subject.other | Political aspects in art | - |
dc.subject.other | Ghosts | - |
dc.subject.other | Benjamin, Walter, 1892-1940 | - |
dc.subject.other | Derrida, Jacques | - |
dc.title | Fantasmagoría y espectralidad: Benjamin y Derrida ante la imagen cinematográfica | - |
dc.title.alternative | Phantasmagoria and spectrality: Benjamin and Derrida on cinematographic image | - |
dc.type | info:eu-repo/semantics/article | - |
dc.type | info:eu-repo/semantics/publishedVersion | - |
dc.identifier.idgrec | 688379 | - |
dc.date.updated | 2019-03-28T16:40:14Z | - |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | - |
Appears in Collections: | Articles publicats en revistes (Filosofia) |
Files in This Item:
File | Description | Size | Format | |
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688379.pdf | 497.82 kB | Adobe PDF | View/Open |
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