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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/186375
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dc.contributor.authorBerruezo Sánchez, Diana-
dc.date.accessioned2022-06-07T13:45:47Z-
dc.date.available2022-06-07T13:45:47Z-
dc.date.issued2018-04-01-
dc.identifier.issn1540-5877-
dc.identifier.urihttps://hdl.handle.net/2445/186375-
dc.description.abstractThe influence of Italian short story writers on Cervantes's ouvre exceeds the appropriation of literary motives and plots. The narrative techniques of Italian short story collections also spur Cervantes's production. This article aims to explore the various narrative frames of Italian short story collections and evaluate Cervantes's originality in adopting and manipulating them.-
dc.format.extent14 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isospa-
dc.publisherUniversity of California, Santa Barbara-
dc.relation.isformatofReproducció del document publicat a: https://www.ehumanista.ucsb.edu/sites/secure.lsit.ucsb.edu.span.d7_eh/files/sitefiles/cervantes/volume6/ehumcerv6.berruezo.pdf-
dc.relation.ispartofeHumanista. Journal of Iberian Studies, 2018, vol. 6, p. 15-28-
dc.rightscc-by (c) The Regents of the University of California, 2018-
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.sourceArticles publicats en revistes (Filologia Hispànica, Teoria de la Literatura i Comunicació)-
dc.subject.classificationNovel·la castellana-
dc.subject.classificationNovel·la italiana-
dc.subject.otherSpanish fiction-
dc.subject.otherItalian fiction-
dc.subject.otherCervantes Saavedra, Miguel de, 1547-1616-
dc.subject.otherSegle XVII-
dc.subject.other17th century-
dc.titleNovelas sin marco y marco con novelas. De las Novelas ejemplares a la primera parte del Quijote-
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.identifier.idgrec723698-
dc.date.updated2022-06-07T13:45:48Z-
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Articles publicats en revistes (Filologia Hispànica, Teoria de la Literatura i Comunicació)

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