Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/206571
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dc.contributor.advisorAlonso Breto, Isabel-
dc.contributor.authorBerkhout Garcia, Teresa-
dc.date.accessioned2024-01-29T16:02:07Z-
dc.date.available2024-01-29T16:02:07Z-
dc.date.issued2023-06-20-
dc.identifier.urihttp://hdl.handle.net/2445/206571-
dc.descriptionTreballs Finals del Grau d'Estudis Anglesos, Facultat de Filologia, Universitat de Barcelona. Curs: 2022-2023. Tutora: Isabel Alonso Bretoca
dc.description.abstract[cat] Aquest article examina com funciona la moda com a sistema narratiu i com es pot utilitzar com a eina per a la narració, així com per explorar temes tan complexos com la decolonialitat. Advoca per la democratització de l'art i la cultura mitjançant la vinculació dels temes de moda amb el que concerneix l'individu comú. La decolonialitat de la moda es discuteix amb l'ajuda de la teoria semiòtica i decolonial, així com analitzant el treball de creatius i dissenyadors africans. Incorporant idees de la semiòtica de la moda –i l'obra de Roland Barthes– i de teòrics decolonialistes com Walter Mignolo, aquest article pretén defensar la moda com un sistema narratiu fort que manté la capacitat de conversar amb diversos camps acadèmics. El text emfatitza dissenyadors i marques, com Wanda Lephoto, que representen missatges importants a través de la moda. Finalment, aconsegueix la seva intenció d'aprofundir en els materials per transmetre una idea de l'estat de la conversa decolonial en el món de la moda.ca
dc.description.abstract[eng] This paper examines how fashion works as a narrative system and how it can be used as a tool for storytelling, as well as to explore issues as complex as decolonialization. It advocates for the democratization of art and culture by linking fashion themes to what concerns the common individual. Fashion decolonialization is discussed with the help of semiotic and decolonial theory, as well as by analysing the work of African creatives and designers. Incorporating ideas from fashion semiotics –and the work of Roland Barthes– and from decolonial theorist like Walter Mignolo, this paper intends to defend fashion as a strong narrative system that holds the ability to converse with diverse academic fields. The text emphasizes the work of designers and brands, like Wanda Lephoto, that represent important messages through fashion. Ultimately it achieves its intention to delve into the materials to convey an idea of the state of the decolonial conversation in the fashion world.eng
dc.format.extent34 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isoengca
dc.rightscc-by-nc-nd (c) Teresa Berkhout Garcia, 2023-
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/*
dc.sourceTreballs Finals de Grau (TFG) - Estudis Anglesos-
dc.subject.classificationModacat
dc.subject.classificationSemiòticacat
dc.subject.classificationLiteraturacat
dc.subject.classificationAnàlisi del discurs narratiucat
dc.subject.classificationÀfricacat
dc.subject.classificationTreballs de fi de graucat
dc.subject.otherFashioneng
dc.subject.otherSemioticseng
dc.subject.otherLiteratureeng
dc.subject.otherNarrative discourse analysiseng
dc.subject.otherAfricaeng
dc.subject.otherDecolonialityeng
dc.subject.otherBachelor's theseseng
dc.subject.otherDecolonialismecat
dc.subject.otherLephoto, Wanda-
dc.subject.otherBarthes, Roland-
dc.subject.otherMignolo, Walter-
dc.titleFashion as a Narrative System: A Decolonial Approacheng
dc.typeinfo:eu-repo/semantics/bachelorThesisca
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca
Appears in Collections:Treballs Finals de Grau (TFG) - Estudis Anglesos

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