Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/217678
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dc.contributor.authorSimó, Meritxell-
dc.date.accessioned2025-01-20T13:11:24Z-
dc.date.available2025-01-20T13:11:24Z-
dc.date.issued2022-04-01-
dc.identifier.issn1699-4949-
dc.identifier.urihttps://hdl.handle.net/2445/217678-
dc.description.abstract[eng] In this article I propose the identification of Guigemar's lai as a hypotext of Aucassin et Nicolette. I will try first to document the allusions to the lai of Marie de France and then to establish its function in the anonymous chantefable. I will focus on two aspects: the imbrication of lyrical and narrative registers and the metaliterary dimension of both texts.-
dc.format.extent22 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isospa-
dc.relation.isformatofReproducció del document publicat a: https://doi.org/10.25145/j.cedille.2022.21.22-
dc.relation.ispartof2022, num.21, p. 460-482-
dc.relation.urihttps://doi.org/10.25145/j.cedille.2022.21.22-
dc.rightscc-by (c) Meritxell Simó, 2022-
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/-
dc.sourceArticles publicats en revistes (Filologia Clàssica, Romànica i Semítica)-
dc.subject.classificationLiteratura medieval-
dc.subject.classificationLiteratura francesa-
dc.subject.classificationIntertextualitat-
dc.subject.classificationParòdia-
dc.subject.otherMedieval literature-
dc.subject.otherFrench literature-
dc.subject.otherIntertextuality-
dc.subject.otherParody-
dc.titleMujeres poetas, hadas y ciervos: el lai de Guigemar y Aucassin et Nicolette-
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.identifier.idgrec723340-
dc.date.updated2025-01-20T13:11:24Z-
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Articles publicats en revistes (Filologia Clàssica, Romànica i Semítica)

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