Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/223032
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dc.contributor.authorIzard Martínez, Gabriel-
dc.date.accessioned2025-09-08T13:18:24Z-
dc.date.available2025-09-08T13:18:24Z-
dc.date.issued2021-07-24-
dc.identifier.issn2175-6015-
dc.identifier.urihttps://hdl.handle.net/2445/223032-
dc.description.abstract[eng[ Based on an ethnography of the First Jumara International Indigenous Film Festival, which took place in an Emberá community in Panama, the aim of this article is to delve deeper into the connection between the processes of ethnicity derived from Indigenous cinema and the processes of ethnicity derived from the meaning given to that cinema at specific events. At Jumara, Indigenous cinema was the reason for affirming Emberá culture and for championing, in a markedly festive and performative way, the group's main demands in a celebration in which the body and its ornamentation took on a special role. It is argued that the ethnographic focus on festivals organized in Indigenous communities makes it possible to fully analyze the committed and activist dimension of Indigenous cinema.-
dc.description.abstract[por] Com base na etnografia do Primer Festival Internacional de Cinema Indígena Jumara, realizado em uma comunidade Emberá do Panamá, o objetivo deste artigo é mergulhar na conexão dos processos étnicos derivados do cinema indígena com os processos étnicos derivados do significado atribuído a esse cinema em eventos específicos. Em Jumara, o cinema indígena foi o motivo para afirmar a cultura Emberá e reivindicar, de maneira marcadamente festiva e performativa, as principais demandas do grupo em uma celebração na qual o corpo e sua ornamentação assumiram um papel especial. Argumenta-se que o foco etnográfico nos festivais organizados nas comunidades indígenas permite analisar com profundidade a dimensão comprometida e ativista do cinema indígena.-
dc.format.extent19 p.-
dc.format.mimetypeapplication/pdf-
dc.language.isoeng-
dc.publisherUniversidade Estadual de Campinas-
dc.relation.isformatofReproducció del document publicat a: https://doi.org/10.20396/proa.v11i1.16614-
dc.relation.ispartofProa. Revista de Antropologia e Arte, 2021, vol. 11, num.1, p. 152-170-
dc.relation.urihttps://doi.org/10.20396/proa.v11i1.16614-
dc.rightscc-by (c) 2021 Proa: Revista de Antropologia e Arte, 2021-
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/-
dc.sourceArticles publicats en revistes (Antropologia Social)-
dc.subject.classificationCinema etnogràfic-
dc.subject.classificationPobles indígenes-
dc.subject.classificationFestivals de cinema-
dc.subject.classificationPanamà-
dc.subject.otherEthnographic films-
dc.subject.otherIndigenous peoples-
dc.subject.otherFilm festivals-
dc.subject.otherPanama-
dc.titleThe Jumara Festival of Panamá: Cinema and Body in Motion-
dc.title.alternativeO festival jumara no Panamá: cinema e corpo em movimento-
dc.typeinfo:eu-repo/semantics/article-
dc.typeinfo:eu-repo/semantics/publishedVersion-
dc.identifier.idgrec720585-
dc.date.updated2025-09-08T13:18:24Z-
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess-
Appears in Collections:Articles publicats en revistes (Antropologia Social)

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