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dc.contributor.authorGilabert Barberà, Paucat
dc.descriptionVersió en anglès del document publicat a: Estudios Clásicos, 139, 2011, pp. 111-136-
dc.descriptionPodeu consultar la versió en català a:
dc.description.abstractSocrates' serene attitude before his death -although this is questioned-, as described by Xenophon in his Apologia Socratis becomes for the playwright Rodolf Sirera a useful reference in an effort to reflect boldly on the limits of theatrical fiction in another clear example of the Classical Tradition, including that derived from Baroque Tragedy. However, in this case, it is judged severely to make us more conscious of the risk of turning life into a mere theatrical performance and human beings into actors and actresses in a play they did not write.eng
dc.format.extent19 p.-
dc.rightscc-by-nc-nd, (c) Gilabert, 2011-
dc.sourceDocuments de treball / Informes (Filologia Clàssica, Romànica i Semítica)-
dc.subject.classificationTradició clàssicacat
dc.subject.classificationFilosofia gregacat
dc.subject.classificationTeatre clàssiccat
dc.subject.classificationTeatre barroccat
dc.subject.classificationTeatre catalàcat
dc.subject.classificationLiteratura francesacat
dc.subject.otherSirera, Rodolf, 1948-. Verí del teatrecat
dc.subject.otherClassical traditioneng
dc.subject.otherGreek philosophyeng
dc.subject.otherCatalan dramaeng
dc.subject.otherRacine, Jean, 1639-1699cat
dc.subject.otherSade, marquis de, 1740-1814cat
dc.subject.otherClassical dramaeng
dc.subject.otherBaroque dramaeng
dc.subject.otherFrench literatureeng
dc.titlePoison without antidote for the historical Socrates and french classical tragedy in El verí del teatre (The Poison of the Theatre) by Rodolf Sirera. (An extreme dose of sadism to put a stop to the excesses of theatrical fiction).eng
Appears in Collections:Documents de treball / Informes (Filologia Clàssica, Romànica i Semítica)

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