Gilabert Barberà, Pau2010-04-122010-04-122008-02-21https://hdl.handle.net/2445/12069Podeu consultar la versió en català a: http://hdl.handle.net/2445/11665; i en castellà a: http://hdl.handle.net/2445/11712The aim of this article is to show how a contemporary playwright thinks once more of the Platonic image of the cave in order to reflect on the necessary existential journey of men and women as in the case of a Bildungsroman. Sooner or later men and women must abandon the protection that any sort of cavern such as home, the family garden or family itself can offer. In spite of writing from a by no means idealistic or metaphysical point of view, thanks to R. Sirera and to the very applicability of Platonic images, Plato becomes once again a classical reference which is both useful and even unavoidable if one bears in mind the Platonic origin of all the literary caverns.239430 bytes17 p.application/pdfengcc-by-nc-nd, (c) Gilabert, 2008http://creativecommons.org/licenses/by-nc-nd/3.0/es/PlatonismeSirera, Rodolf, 1948- . CavernaMite de la caverna (Al·legoria)Filosofia gregaPlatonismeTradició clàssicaLiteratura catalanaLiteratura valencianaPlatonismSirera, Rodolf, 1948- . CavernaPlato's cave (Allegory)Greek philosophyPlatonismClassical traditionCatalan literatureValencian literatureinfo:eu-repo/semantics/workingPaperinfo:eu-repo/semantics/openAccess