Sari, Simone2020-12-072020-12-072020-07-072282-7447https://hdl.handle.net/2445/172579Ramon Llull's Hundred Names of God has been interpreted, due to its prologue, almost exclusively as an apologetic work against Islam. In this paper, we will demonstrate that this Islamic suggestion has to be considered only as a partial source of this poem, which is aimed mainly to a Christian public and is founded in religious traditions deep-rooted in Europe.25 p.application/pdfita, 2020LitúrgiaLiteratura èpicaCançons de gestaLiturgicsEpic literatureChansons de gesteinfo:eu-repo/semantics/article7025742020-12-07info:eu-repo/semantics/openAccess