Montoya, Pep2021-10-112021-10-1120121647-6158https://hdl.handle.net/2445/180538Abstract. Arises in the presentation using what is apprehended from the reality closer to the identity of the artist, in a duality of 'accumulation-stripping' to build a creative language, nourished by the fact that the environment is capable of synthesizing this reality in pure pictorial matter in which the gesture, acts both as a symbol of the perceived primal as the intrinsic value of the 'painting-painting' in itself, Keywords: Perception, síntesis, creative language, symbol, picture-painting7 p.application/pdfspacc-by-nc (c) Periodicos CSO / Revista Estúdio, 2012https://creativecommons.org/licenses/by-nc/4.0/PinturaHistòria de l'artPaintingArt historyinfo:eu-repo/semantics/article6150602021-10-11info:eu-repo/semantics/openAccess