Ruido, María2012-02-232012-02-2320041136-5781https://hdl.handle.net/2445/22191This paper analyses the representations of the body present in contemporary science-fiction literature and film. Using theoretical concepts by Althusser, Foucault and Haraway, the text establishes first a typology of cybernetic organisms in contemporary culture and reviews its presence and ideological implications in films like Robocop (1987), Johny Mnemonic (1995) or Matrix (1999). The paper argues for a self-conscience as political and historical subjects in order to avoid falling into a fallacious cyberandroginy that reinforces phallogocentric power structures.11 p.application/pdfspacc-by-nc-nd (c) Ruido, 2004http://creativecommons.org/licenses/by-nc-nd/3.0/esTeoria feministaFeminist theoryLa fraternidad de los cuerpos posthumanos. La ciencia ficción como territorio de reproducción y de resistencia del imaginario masculino tradicionalinfo:eu-repo/semantics/article5590302012-02-17info:eu-repo/semantics/openAccess