Gilabert Barberà, Pau2010-04-132010-04-132008https://hdl.handle.net/2445/12080Podeu consultar la versió en català a: http://hdl.handle.net/2445/12078 ; i en castellà a: http://hdl.handle.net/2445/12079Thanks to a powerful intellectual weapon, paradox, Oscar Wilde also discovers the dark side of both Classicism and Hellenism. An accurate analysis of his works from the point of view of the Classical Tradition shows an Oscar Wilde who is quite different from the usual Philhellenic one and, above all, from the Platonic one. The aim of this article is to approach a theme which has been hardly studied by classical philologists, that is, anti-classicism and anti-hellenism as an intellectual urge.35 p.284609 bytesapplication/pdfengcc-by-nc-nd, (c) Gilabert, 2008http://creativecommons.org/licenses/by-nc-nd/3.0/es/Wilde, Oscar, 1854-1900Filosofia gregaSofistes (Filosofia)Tradició clàssicaLiteratura victorianaParadoxaMite de la caverna (Al·legoria)PlatonismeHeràclit, ca. 544-ca. 483 aCGòrgies, 483-ca. 380 aCAnticlassicismeAntihel·lenismeWilde, Oscar, 1854-1900. De profundisWilde, Oscar, 1854-1900. Picture of Dorian GrayWilde, Oscar, 1854-1900. Epistolari. SeleccionsWilde, Oscar, 1854-1900. Soul of man under socialismWilde, Oscar, 1854-1900Greek philosophySophists (Greek philosophy)Classical traditionVictorian literatureParadoxPlato's cave (Allegory)PlatonismHeraclitus, of EphesusGorgias, of LeontiniAnti-classicismAnti-hellenismWilde, Oscar, 1854-1900. De profundisWilde, Oscar, 1854-1900. Picture of Dorian GrayWilde, Oscar, 1854-1900. Soul of man under socialismWilde, Oscar, 1854-1900. Letters. Selectionsinfo:eu-repo/semantics/workingPaperinfo:eu-repo/semantics/openAccess