Gilabert Barberà, Pau2012-03-142012-03-142011https://hdl.handle.net/2445/22758Versió en anglès del document publicat a: Estudios Clásicos, 139, 2011, pp. 111-136Podeu consultar la versió en català a: http://hdl.handle.net/2445/22722Socrates' serene attitude before his death -although this is questioned-, as described by Xenophon in his Apologia Socratis becomes for the playwright Rodolf Sirera a useful reference in an effort to reflect boldly on the limits of theatrical fiction in another clear example of the Classical Tradition, including that derived from Baroque Tragedy. However, in this case, it is judged severely to make us more conscious of the risk of turning life into a mere theatrical performance and human beings into actors and actresses in a play they did not write.19 p.application/pdfengcc-by-nc-nd, (c) Gilabert, 2011http://creativecommons.org/licenses/by-nc-nd/3.0/es/Tradició clàssicaFilosofia gregaTeatre clàssicTeatre barrocTeatre catalàIl·lustracióLiteratura francesaSirera, Rodolf, 1948-. Verí del teatreClassical traditionSocràticsGreek philosophyCatalan dramaRacine, Jean, 1639-1699Sade, marquis de, 1740-1814EnlightenmentClassical dramaBaroque dramaFrench literatureinfo:eu-repo/semantics/workingPaperinfo:eu-repo/semantics/openAccess