Pastó, CristinaCompany Payeras, María Magdalena2019-12-172019-12-172019-06-25https://hdl.handle.net/2445/146820Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2018-2019, Tutor: Pastó, Cristina[cat] Com dona artista, he volgut dialogar i visibilitzar el tema de l’abús sexual. Aproximant-me a històries individuals incloent-hi la meva, he tractat de crear un relat col·lectiu. On s’hi repeteix un patró, unes conductes, i d’on n’esdevenen moviments socials i trencaments familiars. En aquest treball s’acaba el silenci i es crema el record podrit. Ara la resiliència té forma de casa de vidre.[eng] As a woman artist, and aware of my personal background, I’ve wanted to dialogue and make visible the issue of sexual abuse. By making an approach to individual stories, including my own, I have tried to create a collective narrative. Where there is a pattern, behaviors, and from where social movements and family breakdowns occur. In this work, the silence is finished and the rotten memory burns up. Now the resilience is shaped like a glass house.76 p.application/pdfcatcc-by-nc-nd (c) María Magdalena Company Payeras, 2019http://creativecommons.org/licenses/by-nc-nd/3.0/es/GravatDelictes sexualsCosturaTreballs de fi de grauEngravingSex crimesSewingBachelor's thesesLa casa que cremainfo:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/openAccess