From artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise

Figueras Ferrer, Eva

Please use this identifier to cite or link to this item: http://hdl.handle.net/2445/144675

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DC Field	Value	Language
dc.contributor.author	Figueras Ferrer, Eva	-
dc.date.accessioned	2019-11-13T14:31:34Z	-
dc.date.available	2019-11-13T14:31:34Z	-
dc.date.issued	2014-05	-
dc.identifier.issn	2220-8488	-
dc.identifier.uri	http://hdl.handle.net/2445/144675	-
dc.description.abstract	Such is the ideological disparity between Abraham Bosse's first intaglio review (1645) and the extended revised edition by N. Ch Cochin (1745), that we can virtually speak of two different works: In order to understand the conceptual gap between the two, it is important to take into account, that when the Academy of Fine Arts of Paris was founded, in the second half of the XVII century, in France there was a fundamental shift of thought regarding art education and training, and art in general	-
dc.format.extent	10 p.	-
dc.format.mimetype	application/pdf	-
dc.language.iso	eng	-
dc.publisher	Center for Promoting Ideas	-
dc.relation.isformatof	Reproducció del document publicat a: http://www.ijhssnet.com/journal/index/2496; http://www.ijhssnet.com	-
dc.relation.ispartof	International Journal of Humanities and Social Science (IJHSS), 2014, vol. 4, num. 7, p. 24-33	-
dc.rights	(c) Figueras Ferrer, Eva, 2014	-
dc.source	Articles publicats en revistes (Arts Visuals i Disseny)	-
dc.subject.classification	Gravat	-
dc.subject.other	Engraving	-
dc.subject.other	Bosse, Abraham, 1602-1676	-
dc.title	From artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise	-
dc.type	info:eu-repo/semantics/article	-
dc.type	info:eu-repo/semantics/publishedVersion	-
dc.identifier.idgrec	605825	-
dc.date.updated	2019-11-13T14:31:34Z	-
dc.rights.accessRights	info:eu-repo/semantics/openAccess	-
Appears in Collections:	Articles publicats en revistes (Arts Visuals i Disseny)

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