3D audio technologies for music production

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dc.contributor.advisorGarriga Torres, Adan Amor
dc.contributor.advisorPascual Miralles, Esther
dc.contributor.authorErruz, Gerard
dc.date.accessioned2016-03-09T15:25:05Z
dc.date.available2016-03-09T15:25:05Z
dc.date.issued2016-01
dc.descriptionTreballs Finals de Grau de Física, Facultat de Física, Universitat de Barcelona, Curs: 2016, Tutors: Adan Garriga i Esther Pascualca
dc.description.abstractThis report aims to give an overall idea of 3D audio technologies in a physics point of view. Some of the most representative methods are revised and discussed. Ambisonics technique is specially analised due to its powerful and complete approach. In order to "see" for ourselves its strengths and drawbacks we implemented and tested a basic Ambisonics encoding/decoding toolca
dc.format.extent6 p.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://hdl.handle.net/2445/96309
dc.language.isoengca
dc.rightscc-by-nc-nd (c) Erruz, 2016
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.sourceTreballs Finals de Grau (TFG) - Física
dc.subject.classificationVisualització tridimensionalcat
dc.subject.classificationEnginyeria acústicacat
dc.subject.classificationTreballs de fi de graucat
dc.subject.classificationEnregistrament i reproducció del so
dc.subject.otherThree-dimensional display systemseng
dc.subject.otherAcoustical engineeringeng
dc.subject.otherBachelor's theseseng
dc.subject.otherSound recording and reproducing
dc.title3D audio technologies for music productioneng
dc.typeinfo:eu-repo/semantics/bachelorThesisca

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