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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/133161
El impacto del trap en la cultura popular española
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(cast) Este trabajo aborda el fenómeno mediático de la música trap en España, con la intención de identificar los valores de la cultura popular actual. Para ello, he utilizado, por un lado, los conceptos de Gilles Lipovetsky, un sociólogo referente en el análisis de la cultura capitalista; por otro, los planteamientos de Jacques Derrida, que me permitirán interpretar el discurso transgresor del trap como una sublimación de la marginalidad. A través de estos autores, he hecho un breve repaso por las influencias estéticas del trap, he analizado la letra de algunas canciones y he descrito varias interacciones entre artistas de esta escena y políticos. Por último, he entrevistado a Ernesto Castro, un profesor de filosofía que está investigando sobre el tema.
(eng) This paper approaches the trap music impact in spanish media, with the purpose of identify the values of the actual popular culture. In order to achieve that, on the one hand, I have gone through Gilles Lipovetsky’s concepts, who is a reference sociologist in the analysis of the capitalist culture; on the other hand, Jacques Derrida’s reflexions have allowed me to interpret the trap offender speech as a sublimation of marginality. Through these authors, I have reviewed trap’s aesthetic influences, analyzed the lyrics of a few songs and described some interactions between artists of this scene and politicians. By last, I have done an interview to Ernesto Castro, a profesor of philosophy that is doing research about this topic.
(eng) This paper approaches the trap music impact in spanish media, with the purpose of identify the values of the actual popular culture. In order to achieve that, on the one hand, I have gone through Gilles Lipovetsky’s concepts, who is a reference sociologist in the analysis of the capitalist culture; on the other hand, Jacques Derrida’s reflexions have allowed me to interpret the trap offender speech as a sublimation of marginality. Through these authors, I have reviewed trap’s aesthetic influences, analyzed the lyrics of a few songs and described some interactions between artists of this scene and politicians. By last, I have done an interview to Ernesto Castro, a profesor of philosophy that is doing research about this topic.
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Treballs Finals del Grau de Sociologia, Facultat d'Economia i Empresa, Universitat de Barcelona, Curs: 2018-2019 , Tutor: Rommy Morales Olivares
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LÓPEZ CARBALLEIRA, Simón. El impacto del trap en la cultura popular española. [consulted: 14 of June of 2026]. Available at: https://hdl.handle.net/2445/133161