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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/193404
La mirada femenina y la representación del deseo lésbico en Retrato de una mujer en llamas
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[spa] La representación de la mujer ha sido sometida a los patrones de una mirada voyerística que proyecta en su corporalidad e identidad unos deseos que perpetúan su cosificación y sumisión. En Retrato de una mujer en llamas (2019) Céline Sciamma incorpora las reflexiones feministas que se originaron acerca de la representación de las mujeres en el ámbito cinematográfico durante la segunda ola feminista, proponiendo así una nueva forma de representar el cuerpo femenino y el deseo lésbico. Para poder analizar los recursos que la cineasta emplea en este filme, he partido de las aportaciones de John Berger, Teresa De Lauretis y Laura Mulvey respecto a los modos de ver y representar a las mujeres. Asimismo, para analizar la presencia de la identidad lésbica y su manifestación en la mirada de la película, he recurrido principalmente a Monique Wittig y Karen Hollinger.
[eng] The representation of women has been subjected to the patters of a voyeuristic male gaze that projects desires into their bodies and identities, perpetuating the objectification and the domination over the female body. In Portrait of a Lady on Fire (2019), Céline Sciamma incorporates the feminist theories about the representation of women in the cinematographic field, which were originated during the second wave of feminism. In this film, Sciamma proposes a new perspective on the representation of women’s bodies and lesbian desire. In order to analyse the resources that the filmmaker uses in this film, I have done research into John Berger, Teresa De Lauretis and Laura Mulvey’s outlooks regarding the ways of seeing and representing women. Moreover, to analyse the presence of lesbian identity and its manifestation in the gaze of the film, I have mainly resorted to Monique Wittig and Karen Hollinger.
[eng] The representation of women has been subjected to the patters of a voyeuristic male gaze that projects desires into their bodies and identities, perpetuating the objectification and the domination over the female body. In Portrait of a Lady on Fire (2019), Céline Sciamma incorporates the feminist theories about the representation of women in the cinematographic field, which were originated during the second wave of feminism. In this film, Sciamma proposes a new perspective on the representation of women’s bodies and lesbian desire. In order to analyse the resources that the filmmaker uses in this film, I have done research into John Berger, Teresa De Lauretis and Laura Mulvey’s outlooks regarding the ways of seeing and representing women. Moreover, to analyse the presence of lesbian identity and its manifestation in the gaze of the film, I have mainly resorted to Monique Wittig and Karen Hollinger.
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Treballs Finals de Grau d'Estudis Literaris, Facultat de Filologia, Universitat de Barcelona. Curs: 2021-2022. Tutora: Annalisa Mirizio
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MAYORAL GALLEGOS, María. La mirada femenina y la representación del deseo lésbico en Retrato de una mujer en llamas. [consulta: 7 de abril de 2026]. [Disponible a: https://hdl.handle.net/2445/193404]