From artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise

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dc.contributor.authorFigueras Ferrer, Eva
dc.date.accessioned2019-11-13T14:31:34Z
dc.date.available2019-11-13T14:31:34Z
dc.date.issued2014-05
dc.date.updated2019-11-13T14:31:34Z
dc.description.abstractSuch is the ideological disparity between Abraham Bosse's first intaglio review (1645) and the extended revised edition by N. Ch Cochin (1745), that we can virtually speak of two different works: In order to understand the conceptual gap between the two, it is important to take into account, that when the Academy of Fine Arts of Paris was founded, in the second half of the XVII century, in France there was a fundamental shift of thought regarding art education and training, and art in general
dc.format.extent10 p.
dc.format.mimetypeapplication/pdf
dc.identifier.idgrec605825
dc.identifier.issn2220-8488
dc.identifier.urihttps://hdl.handle.net/2445/144675
dc.language.isoeng
dc.publisherCenter for Promoting Ideas
dc.relation.isformatofReproducció del document publicat a: http://www.ijhssnet.com/journal/index/2496; http://www.ijhssnet.com
dc.relation.ispartofInternational Journal of Humanities and Social Science (IJHSS), 2014, vol. 4, num. 7, p. 24-33
dc.rights(c) Figueras Ferrer, Eva, 2014
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.sourceArticles publicats en revistes (Arts Visuals i Disseny)
dc.subject.classificationGravat
dc.subject.otherEngraving
dc.subject.otherBosse, Abraham, 1602-1676
dc.titleFrom artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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