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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/217753
From Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotation
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Abstract
In this study we address the reception of Ab joi mou lo vers e·l comens (BEdT 70, 1), by contrasting the various texts that quote it: the troubadour florilegia Dc and F; So fo e·l tems c’om era gais and the Razos de trobar, by Ramon Vidal de Besalú; the Roman de la Violette, by Gerbert de Montreuil; the Mirall de Trobar by Berenguer d’Anoia; and the Breviari d’amor, by Matfre Ermengau. The varied typology of these contexts of reception gives us an idea of the fame of the canso, which, as it is known, is also confirmed by an extraordinary manuscript evidence (the song is preserved in 27 sources), as well as its musical fortune.
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Simó, Meritxell (2020), "From Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotation", DINS: Simó, Meritxell (ed.) Los motz e·l so afinant: cantar. llegir, escriure la lírica dels trobadors, Roma: Viella, ISBN 978-88-3313-130-6, pp. 159-184
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SIMÓ, Meritxell. From Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotation. Capítol de llibre: Simó. Meritxell (ed.) Los motz e·l so afinant: cantar. llegir. Vol. escriure la lírica dels trobadors, num. Roma: Viella, pags. 2020. ISBN 978-88-3313-130-6. [consulted: 7 of June of 2026]. Available at: https://hdl.handle.net/2445/217753