From Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotation

dc.contributor.authorSimó, Meritxell
dc.date.accessioned2025-01-21T14:56:24Z
dc.date.available2025-01-21T14:56:24Z
dc.date.issued2020
dc.description.abstractIn this study we address the reception of Ab joi mou lo vers e·l comens (BEdT 70, 1), by contrasting the various texts that quote it: the troubadour florilegia Dc and F; So fo e·l tems c’om era gais and the Razos de trobar, by Ramon Vidal de Besalú; the Roman de la Violette, by Gerbert de Montreuil; the Mirall de Trobar by Berenguer d’Anoia; and the Breviari d’amor, by Matfre Ermengau. The varied typology of these contexts of reception gives us an idea of the fame of the canso, which, as it is known, is also confirmed by an extraordinary manuscript evidence (the song is preserved in 27 sources), as well as its musical fortune.ca
dc.identifier.citationSimó, Meritxell, "From Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotation", dins: Simó, Meritxell (ed.) Los motz e·l so afinant: cantar. llegir, escriure la lírica dels trobadors, Viella, 2020, ISBN 978-88-3313-130-6, pp. 159-184ca
dc.identifier.isbn978-88-3313-130-6
dc.identifier.urihttps://hdl.handle.net/2445/217753
dc.language.isoengca
dc.publisherViellaca
dc.relation.ispartofCapítol de llibre: Simó, Meritxell (ed.) Los motz e·l so afinant: cantar. llegir, escriure la lírica dels trobadors, Viella, 2020, ISBN 978-88-3313-130-6, pp. 159-184
dc.relation.ispartofseriesIRCVM-Medieval Cultures ; 10ca
dc.rights(c) Viella, 2020
dc.rights.accessRightsinfo:eu-repo/semantics/openAccessca
dc.sourceLlibres / Capítols de llibre (Filologia Clàssica, Romànica i Semítica)
dc.subjectLiteratura francesa medievalca
dc.subjectTrobadorsca
dc.titleFrom Orality to Writing: Ab joi mou lo vers e·l comens (BEdT 70, 1) as a Lyrical Quotationca
dc.typeinfo:eu-repo/semantics/bookPart
dc.typeinfo:eu-repo/semantics/publishedVersion

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