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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/125296
Ensayo sobre la imagen digital
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[spa] La perspectiva convierte al ojo en el centro del mundo visible. Vivimos en un undo híper-poblado de imágenes, en todos los momentos de nuestra vida nuestros ojos hacen de operarios. Nos fotografiamos constantemente y estas imágenes nos representan, somos reconocidos en ellas y por ellas.
En este proyecto me planteo si estas imágenes tienen autonomía propia y cómo afectan a nuestras relaciones con los demás y nuestros sentimientos en sí. Usando dos enfermedades psicosomáticas relacionadas con la imagen como alegoría:
-Síndrome de Stendhal: Reacciones como palpitaciones, vértigo, confusión, entre otras ante las obras de arte y la belleza cuando ésta está expuesta en gran cantidad.
-Síndrome de París: alucinaciones, desilusión y desrealización entre otro síntomas al encontrar la diferencia que existe entre la imagen y lo real, entre la representación y lo representado.
El proceso que realizamos al conocer a alguien en la sociedad-pantalla es similar a estos dos puntos: En un primer contacto, siempre a través de alguna tecnología, como un Smartphone, estas imágenes del otro nos abruman por su belleza y es tal la cantidad que no podemos abarcarla, sin embargo, su espectro negativo es que las imágenes son
tan perfectas que la persona representada en ellas no puede cumplir tales expectativas, sentimos desrealización al confrontar aquello que veíamos representado.
[eng] The perspective turns the eye into the center of the visible world. We live in a hyper-populated world of images, in every moment of our lives our eyes act as operators. We photograph ourselves constantly and these images represent us, we are recognized in them and by them. In this project I wonder if these images have their own autonomy and how they affect our relationships with others and our feelings in themselves. Using two psychosomatic diseases related to the image as an allegory: - Stendhal Syndrome: Reactions such as palpitations, vertigo, confusion, among other things, works of art and beauty, when exposed in large numbers. - Paris syndrome: hallucinations, disillusionment and derealization among other syndics to find the difference between the image and the real, between the representation and the represented. The process we do when meeting someone in society is similar to these two points: In a first contact, always through a technology, such as a smartphone, these images of the other overwhelm us for their beauty and is the amount that does not we can cover it, however, its negative spectrum is that the images are so perfect that the person represented in them can not meet expectations, we feel derealization when confronted with what we saw represented.
[eng] The perspective turns the eye into the center of the visible world. We live in a hyper-populated world of images, in every moment of our lives our eyes act as operators. We photograph ourselves constantly and these images represent us, we are recognized in them and by them. In this project I wonder if these images have their own autonomy and how they affect our relationships with others and our feelings in themselves. Using two psychosomatic diseases related to the image as an allegory: - Stendhal Syndrome: Reactions such as palpitations, vertigo, confusion, among other things, works of art and beauty, when exposed in large numbers. - Paris syndrome: hallucinations, disillusionment and derealization among other syndics to find the difference between the image and the real, between the representation and the represented. The process we do when meeting someone in society is similar to these two points: In a first contact, always through a technology, such as a smartphone, these images of the other overwhelm us for their beauty and is the amount that does not we can cover it, however, its negative spectrum is that the images are so perfect that the person represented in them can not meet expectations, we feel derealization when confronted with what we saw represented.
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Treballs Finals de Grau de Disseny. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017-2018, Tutor: María López Ruido
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PÉREZ MONTOSA, David. Ensayo sobre la imagen digital. [consulta: 23 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/125296]