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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/17985
El conformista de Bernardo Bertolucci: Alberto Moravia + Plató contra el feixisme
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[cat] Per què Bernardo Bertolucci, en fer l’adaptació cinematogràfica de la novel·la d’Alberto Moravia Il conformista, introduí a The Conformist la imatge platònica de la caverna? Hom pretén donar resposta a aquesta pregunta mitjançant l’anàlisi de bona part de l’obra de Moravia.
[eng] Why Bernardo Bertolucci, when adapting as a film Alberto Moravia’s novel Il conformista, introduced into its homonymous The Conformist the Platonic image of the cave? The article is to give an answer to this question by analysing Moravia’s work in search of “cave images”, which would justify Bertolucci’s decision.
[eng] Why Bernardo Bertolucci, when adapting as a film Alberto Moravia’s novel Il conformista, introduced into its homonymous The Conformist the Platonic image of the cave? The article is to give an answer to this question by analysing Moravia’s work in search of “cave images”, which would justify Bertolucci’s decision.
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Podeu consultar la versió en castellà a: http://hdl.handle.net/2445/17984 ; i en anglès a: http://hdl.handle.net/2445/18982
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GILABERT BARBERÀ, Pau. El conformista de Bernardo Bertolucci: Alberto Moravia + Plató contra el feixisme. Publicat a Artes ad Humanitatem I (E. Borrell & P. Gómez. eds.). Barcelona. Vol. 2010, num. 319-333, pags. i en anglès a Annali Online di Ferrara. [consulted: 18 of June of 2026]. Available at: https://hdl.handle.net/2445/17985