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La colección de cromos 'El emblema de las flores' (Barcelona, c. 1910): la difusión del simbolismo floral de Latinoamérica a Europa
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[spa] El presente artículo es el resultado de una investigación interdisciplinaria e internacional sobre la colección de cromos El emblema de las flores (c.1910), publicada en Barcelona y de estilo Art Nouveau. El objeto de estudio se analiza a nivel formal, iconográfico y estilístico, fusionando diversas áreas interdisciplinarias: historia, arte, literatura, botánica y sociología. Se plantean relaciones entre Latinoamérica y Europa sobre el lenguaje simbólico de las flores, ya que los cromos se basaron en el conteni-do de un libro publicado en Venezuela y de gran repercusión en países americanos y europeos. Nuestro objetivo es contribuir al conocimiento sobre la relación entre el lenguaje floral y los cromos antiguos, dos temas que han pasado desapercibidos para la investigación histórico-artística. Consideramos importante poner de manifiesto su relevancia como testimonio literario y artístico que refleja los intereses comunes entre Latinoamérica y Europa durante los siglos XIX y XX. Las conclusiones permiten afir-mar la modernidad y excepcionalidad de esta obra de arte gráfico que definimos como la mejor colección española sobre el lenguaje de las flores.
[eng] This article is the results of interdisciplinary and international research, an unpublished study on the collection of illustrated cards The Emblem of Flowers (c.1910), published in Barcelona in the Art Nouveau style. The object of study is to analyse them at a formal, iconographic and stylistic level, merging various interdisciplinary area, such as, history, art, literature, botany and sociology. Relations are proposed between Latin America and Europe on the symbolic language of flowers since the cards were based on the content of a book published in Venezuela, which had a great impact in American countries. Our aim is to contribute to the knowledge about the relationship floral language and antique card collections. Two topics that have not been noticed by historical-artistic researchers. It is important to highlight their relevance as a literary and artistic testimony that reflects the common interests shared by Latin America and Europe during the 19th and 20th centuries. The conclusions allow us to ascertain the and uniqueness of this graphic work of art, which we consider the best Spanish on the language of flowers.
[eng] This article is the results of interdisciplinary and international research, an unpublished study on the collection of illustrated cards The Emblem of Flowers (c.1910), published in Barcelona in the Art Nouveau style. The object of study is to analyse them at a formal, iconographic and stylistic level, merging various interdisciplinary area, such as, history, art, literature, botany and sociology. Relations are proposed between Latin America and Europe on the symbolic language of flowers since the cards were based on the content of a book published in Venezuela, which had a great impact in American countries. Our aim is to contribute to the knowledge about the relationship floral language and antique card collections. Two topics that have not been noticed by historical-artistic researchers. It is important to highlight their relevance as a literary and artistic testimony that reflects the common interests shared by Latin America and Europe during the 19th and 20th centuries. The conclusions allow us to ascertain the and uniqueness of this graphic work of art, which we consider the best Spanish on the language of flowers.
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LÓPEZ, Fàtima. La colección de cromos 'El emblema de las flores' (Barcelona, c. 1910): la difusión del simbolismo floral de Latinoamérica a Europa. 2021. vol. 524. Vol. 524, num. 49-69. ISSN 0716-1840. [consulted: 24 of October of 2026]. Available at: https://hdl.handle.net/2445/231664