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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/214901
Ante un campo deseante
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[spa] Este texto pretende generar una ontoepistemología de cómo nos relacionamos con lo que nos rodea, cuestionando la idea de que lo humano es la única subjetividad que valida todo lo demás y proponiendo un nuevo paradigma del que ya han hablado las distintas pensadoras de las que hablo a continuación, que proponen distintos modos para igualar la relación entre sujetos. De igual modo, rastreo ese igualar en algunas obras artísticas de mi interés. Entender desde dónde y cómo se construye esa relación para que el hacer artístico sé dé desde esa horizontalidad entre materialidades.
Esa relación no es la que colma de sentido mi obra, sino que es una manera propia de acercarme al proceso artístico. De hecho, entiendo este texto como algo que se ha hecho en paralelo, pero en ningún caso, como la justificación de mi trabajo. Así pues, mis obras no buscan otra cosa que mera presentación y lenguaje esencialmente escultórico.
[eng] This text aims to generate an ontoepistemology of how we relate to our surroundings, questioning the idea that the human is the only subjectivity that validates everything else and proposing a new paradigm discussed by various thinkers I mention below, who suggest different ways to equalize the relationship between subjects. Similarly, I trace this equalization in some artistic works of my interest. Understanding from where and how this relationship is built so that artistic creation occurs from that horizontal interaction between materialities. This relationship does not fill my work with meaning but is rather my own way of approaching the artistic process. In fact, I understand this text as something that has been done in parallel but, in no case, as a justification of my work. Thus, my works seek nothing more than mere presentation and essentially sculptural language.
[eng] This text aims to generate an ontoepistemology of how we relate to our surroundings, questioning the idea that the human is the only subjectivity that validates everything else and proposing a new paradigm discussed by various thinkers I mention below, who suggest different ways to equalize the relationship between subjects. Similarly, I trace this equalization in some artistic works of my interest. Understanding from where and how this relationship is built so that artistic creation occurs from that horizontal interaction between materialities. This relationship does not fill my work with meaning but is rather my own way of approaching the artistic process. In fact, I understand this text as something that has been done in parallel but, in no case, as a justification of my work. Thus, my works seek nothing more than mere presentation and essentially sculptural language.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2023-24, Tutor: Padilla, Òscar
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ADÁN TOLOSA, Mikel. Ante un campo deseante. [consulted: 9 of August of 2026]. Available at: https://hdl.handle.net/2445/214901