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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/183836
La humanización del mito clásico en el contexto barroco y sus fuentes renacentistas
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En el Barroco el tratamiento de los mitos clásicos evoluciona respecto del movimiento renacentista. En el presente trabajo se observará, mediante el análisis del mito de Orfeo y Eurídice en composiciones literarias de Garcilaso, perteneciente al movimiento renacentista, y de Lope de Vega, uno de los representantes del Barroco español, el camino humanizador de los mitos clásicos que tiene lugar en el Barroco y su evolución respecto del tratamiento del mito en el Renacimiento. Asimismo, se incidirá en los posibles motivos que propiciaron el cambio en la visión y estilización de los mitos de la antigüedad en el movimiento barroco.
Palabras clave: Renacimiento, Barroco, Garcilaso, Lope, mitología, Orfeo y Eurídice
In the Baroque the treatment and processing of the classical myths evolved with respect to the Renaissance movement. In this paper, by analysing the myth of Orpheus and Eurydice in literary compositions by Garcilaso, a member of the Renaissance movement, and Lope de Vega, one of the major artist and representative of the Spanish Baroque, we will observe the humanising tendency of classical myths that took place in the Baroque and its evolution with regard to the treatment of myth in the Renaissance. In addition, the possible reasons that led to the change in the vision and styling of the myths of antiquity in the Baroque movement will also be explored and analysed. Keywords: Renaissance, Baroque, Garcilaso, Lope, mythology, Orpheus and Eurydice
In the Baroque the treatment and processing of the classical myths evolved with respect to the Renaissance movement. In this paper, by analysing the myth of Orpheus and Eurydice in literary compositions by Garcilaso, a member of the Renaissance movement, and Lope de Vega, one of the major artist and representative of the Spanish Baroque, we will observe the humanising tendency of classical myths that took place in the Baroque and its evolution with regard to the treatment of myth in the Renaissance. In addition, the possible reasons that led to the change in the vision and styling of the myths of antiquity in the Baroque movement will also be explored and analysed. Keywords: Renaissance, Baroque, Garcilaso, Lope, mythology, Orpheus and Eurydice
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Treballs Finals de Grau de Filologia Hispànica. Facultat de Filologia. Universitat de Barcelona. Curs: 2020-2021. Tutor: Gastón Gilabert
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GARRIDO OTERO, Mónica. La humanización del mito clásico en el contexto barroco y sus fuentes renacentistas. [consulted: 11 of June of 2026]. Available at: https://hdl.handle.net/2445/183836