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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/140845
El poder foucaultiano de la dramaturgia de Griselda Gambaro
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[spa] Griselda Gambaro es una de las voces femeninas con mayor poder dentro del teatro argentino del siglo XX. Si se atiende a su obra dramática, se observa rápidamente que el tema predominante sobre el que gravitan la gran mayoría de sus piezas dramatúrgicas es una reflexión profunda en torno al poder. Pese a la existencia de diversos estudios previos que atienden a esta temática, son pocos los que observan la universalidad de las reflexiones que ofrece Gambaro. El presente trabajo tratará de mostrar con mayor claridad esta temática a partir de un análisis crítico de la dramaturgia gambariana –delimitada temporalmente entre 1963 y 1986– y de la relación que se puede establecer con las reflexiones teóricas en torno al poder de Michel Foucault en Vigilar y Castigar.
[eng] Griselda Gambaro is one of the most powerful female voices within the Argentine theatre of the twentieth century. Considering her dramatic work, it is quickly observed that the predominant theme on which the most of her dramaturgical pieces are centred on is a profound reflection on power. Despite the existence of several previous studies that address this issue, there are few which observe the universality of the reflections offered by Gambaro. The current work will try to show more clearly this subject from a critical analysis of the Gambarian dramaturgy (temporally delimited between 1963 and 1986) and the relationship that can be established with the theorical reflections around the power of Michel Foucault in Discipline and Punish.
[eng] Griselda Gambaro is one of the most powerful female voices within the Argentine theatre of the twentieth century. Considering her dramatic work, it is quickly observed that the predominant theme on which the most of her dramaturgical pieces are centred on is a profound reflection on power. Despite the existence of several previous studies that address this issue, there are few which observe the universality of the reflections offered by Gambaro. The current work will try to show more clearly this subject from a critical analysis of the Gambarian dramaturgy (temporally delimited between 1963 and 1986) and the relationship that can be established with the theorical reflections around the power of Michel Foucault in Discipline and Punish.
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Treballs Finals de Grau de Filologia Hispànica. Facultat de Filologia. Universitat de Barcelona, Curs: 2018-2019, Tutor: Bernat Garí Barceló
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ALONSO MORENO, José Ángel. El poder foucaultiano de la dramaturgia de Griselda Gambaro. [consulted: 18 of June of 2026]. Available at: https://hdl.handle.net/2445/140845