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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/145729
Ver sin entender
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[spa] Cuando realizo la separación entre animal y un elemento importante arquitectónico en la fotografía, estoy creando un relato, un misterio que el espectador esta intentando comprender, de como selecciono una parte de la ciudad y la represento en un vacío en el papel, dándole misterio. De igual manera, esta separación hace que se pueda cohesionar de múltiples formas el animal con la ciudad. Demostrando así, que el animal contemporáneo necesita la ciudad y la ciudad al animal, para formar un equilibrio.
[eng] When I do this distance between the animal and the part of the city in the photography. I am creating a tale, a mistery that the people is trying to understand. How I did select the part of the city and the animal in the photography giving the mistery in the paper. In this way, this distance doing that the animal and the part of the city can be together and with another photography . For this reason, the contemporary animal and the city need each other in order to be on balance.
[eng] When I do this distance between the animal and the part of the city in the photography. I am creating a tale, a mistery that the people is trying to understand. How I did select the part of the city and the animal in the photography giving the mistery in the paper. In this way, this distance doing that the animal and the part of the city can be together and with another photography . For this reason, the contemporary animal and the city need each other in order to be on balance.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2018-2019, Tutor: Coll, Tónia, 1965-
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CARRASCO LÓPEZ, Álvaro. Ver sin entender. [consulted: 19 of August of 2026]. Available at: https://hdl.handle.net/2445/145729