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Article

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Published version

Publication date

2014-01-01

Publication license

cc-by (c) Carroggio de Molina, Alberto, 1946-, 2014
Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/48471

Color sensation in figurative painting

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Volume Title

Related resource

http://dx.doi.org/10.13189/saj.2014.020101

Abstract

The figurative painter accesses very complex levels of knowledge. To produce a painting requires, first, a deep analysis of the image of the reality and, afterwards, the study of the reconstruction of this reality. This is not about a process of copying, but a process of the comprehension of the concepts that appear in the representation. The drawing guides us in the process of the production of the surface and in the distribution of the colours that, after all, are the data with which the vision mechanism builds the visual reality. Knowing the colour and its behaviour have always been a requirement for the figurative painter. From that knowledge we can draw wider conclusions.

Subject

Pintura, Color, Percepció, Dibuix

Subject (English)

Painting, Color, Perception, Drawing

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Articles publicats en revistes (Arts Conservació-Restauració)

Citation

CARROGGIO DE MOLINA, Alberto. Color sensation in figurative painting. Sport and Art. 2014. Vol. 2, num. 1, pags. 1-4. ISSN 2331-6195. [consulted: 9 of June of 2026]. Available at: https://hdl.handle.net/2445/48471

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