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cc-by-nc-nd (c) Lama López, María Xesús, 2014
Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/152611

Novela negra ou hibridación do xénero?: A cara máis íntima do mal en Todo é silencio de Manuel Rivas

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Manuel Rivas' contribution to crime fiction analyzes drug trafficking and the social and political corruption associated with it from a peculiarly intimate perspective. The justification for the fluctuation in the novel between the bildungsroman and the crime novel is the use of adolescents as main characters, thereby bringing to the fore the way in which organized crime breaks apart both society and individuals, as everyone, including the criminals, is destroyed by their engagement with a corrupt power. The narrative focus reinforces social and moral criticism, and relegates the restoration of order and justice to the plane of utopia.

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LAMA LÓPEZ, María Xesús. Novela negra ou hibridación do xénero?: A cara máis íntima do mal en Todo é silencio de Manuel Rivas. Abriu. Estudos de textualidade do Brasil. Galicia e Portugal. Vol.  2014, num. 3, pags. 97-112. ISSN 2014-8526. [consulted: 6 of October of 2026]. Available at: https://hdl.handle.net/2445/152611

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