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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/226983
Ariane de Waal. Theatre on Terror: Subject Positions in British Drama. Berlin: De Gruyter, 2017, viii + 297 pp., €99.95 (hardback), €99.95 (PDF ebook). Clare Finburgh. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury, 2017, xv + 355 pp., £75 (hardback), £28.99 (paperback), £29.99 (PDF ebook).
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The representation of recent wars and acts of terror(ism) on stage, as well as the relationship between theatre and the aftermath of 9/11 have been the subject of several publications in the last few years. While it might still be early to speak about the birth of a distinctive field of study, Ariane de Waal’s and Claire Finburgh’s respective monographs are welcome additions to the growing body of literature on this topic.
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MASSANA VIDAL, Elisabet. Ariane de Waal. Theatre on Terror: Subject Positions in British Drama. Berlin: De Gruyter, 2017, viii + 297 pp., €99.95 (hardback), €99.95 (PDF ebook). Clare Finburgh. Watching War on the Twenty-First Century Stage: Spectacles of Conflict. London: Bloomsbury, 2017, xv + 355 pp., £75 (hardback), £28.99 (paperback), £29.99 (PDF ebook). Journal of Contemporary Drama in English. 2020. Vol. 8, num. 2, pags. 340-345. ISSN 2195-0164. [consulted: 13 of June of 2026]. Available at: https://hdl.handle.net/2445/226983