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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/59503
Amor y creatio, conversio, formatio en San Agustín de Hipona
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[spa] La presente tesis extrae las consecuencias de la reflexión agustiniana sobre el Génesis. A partir del análisis de sus repetidos intentos por comentar el relato de la creación mediante la interpretación literal, alegórica y espiritual, el estudio incide en que Agustín elabora un esquema metafísico original que constituye a los seres en su devenir existencial y que, además, sirve como clave de lectura válida de su propia comprensión del ser finito. Tal esquema es el de “creatio”, “conversio”, “formatio”. Tomando dicha tríada como eje central de la exposición, se procede a una profundización progresiva de las etapas del fenómeno y a la búsqueda de su fundamento último que, como se deduce de las mismas obras agustinianas, se traduce en el amor, el cual viene a ser el hilo conductor que da sentido a la articulación misma de las etapas y a la resolución del proceso en el marco de los agentes libres. Con este proceder, la tesis se ubica adecuadamente en la encrucijada alcanzada por los actuales estudios agustinianos: por una parte, se había empezado a reflexionar sobre el fenómeno de “creatio”, “conversio” y “formatio”, pero convenía explicitarlo más, evidenciar claramente su presencia en el corpus Augustinianum, enriquecer su comprensión con la aportación de las imágenes con las que Agustín piensa y transmite su propio constructo y encuadrarlo coherentemente en las poco estudiadas dimensiones ontológicas de “modus”, “species” y “ordo”. Todo esto para enlazar, por otro lado, con los resultados de los comentarios en torno al concepto de amor de Agustín y así poder identificar la categoría analógica de ordo con el amor, con su peso específico que marca la tendencia de las criaturas espirituales –principalmente– pero también del resto de la creación, la cual vuelve de este modo a su origen y alcanza la paz, entendida como «tranquilidad del orden», y, en cuanto tal, como aquietamiento y descanso amoroso. El mismo Agustín, en el De Genesi ad litteram y en muchos otros lugares del corpus, proporciona los elementos necesarios para esta empresa: profundizar en el esquema metafísico de “creatio”, “conversio”, “formatio”, y fundamentarlo en el “pondus amoris”, con lo cual se construye una metafísica de la creaturalidad que permite vislumbrar de manera más clara qué es ser creatura y, además, quién es su Hacedor.
[eng] This thesis draws the conclusions from Augustine's reflection on Genesis. From an analysis of his repeated attempts to comment on the story of creation through a literal, allegorical and spiritual interpretation, this study emphasizes the fact that Augustine develops an original metaphysical scheme which presents beings in their existential evolution. This scheme also provides a valid key to read Augustine’s own understanding of the finite being. Such a scheme is: creatio, conversio, formatio. Taking this triad as the core of the picture, there is a progressive deepening of the stages of the phenomenon and the pursuit of its ultimate foundation which, as it follows from the same Augustinian works, turns out in love, which becomes the thread that gives meaning to the very articulation of the stages and of the resolution of the process within the framework of free agents. With this approach, the thesis is properly located at the crossroads reached by the current Augustinian studies: first, it had begun to reflect on the phenomenon of creatio, conversio and formatio but it was convenient to make this scheme more explicit in order to more clearly show its presence in the corpus Augustinianum, enriching its understanding with the contribution of the images with which Augustine thinks and transmits his own construct and fitting it consistently in the little-studied ontological dimensions of modus, species and ordo. All this aims, on the other hand, to link the said scheme with the results of the comments on the Augustine’s concept of love. Thus identifying the analog category of ordo with love, with its specific weight that sets primarily the trend of the spiritual creatures but also of the rest of creation, which thus returns to its origin and attains peace, understood as "tranquility of order" and, as such, as a stilling loving break. Augustine himself, in De Genesi ad litteram and in many other parts of the corpus, provides the necessary elements for this task: deepening in the metaphysical scheme creatio, conversio, formatio, and basing it on the pondus amoris, with which a metaphysics of creatureliness is built allowing a more clear envisioning of what kind of being a creature is and also of who its Maker is.
[eng] This thesis draws the conclusions from Augustine's reflection on Genesis. From an analysis of his repeated attempts to comment on the story of creation through a literal, allegorical and spiritual interpretation, this study emphasizes the fact that Augustine develops an original metaphysical scheme which presents beings in their existential evolution. This scheme also provides a valid key to read Augustine’s own understanding of the finite being. Such a scheme is: creatio, conversio, formatio. Taking this triad as the core of the picture, there is a progressive deepening of the stages of the phenomenon and the pursuit of its ultimate foundation which, as it follows from the same Augustinian works, turns out in love, which becomes the thread that gives meaning to the very articulation of the stages and of the resolution of the process within the framework of free agents. With this approach, the thesis is properly located at the crossroads reached by the current Augustinian studies: first, it had begun to reflect on the phenomenon of creatio, conversio and formatio but it was convenient to make this scheme more explicit in order to more clearly show its presence in the corpus Augustinianum, enriching its understanding with the contribution of the images with which Augustine thinks and transmits his own construct and fitting it consistently in the little-studied ontological dimensions of modus, species and ordo. All this aims, on the other hand, to link the said scheme with the results of the comments on the Augustine’s concept of love. Thus identifying the analog category of ordo with love, with its specific weight that sets primarily the trend of the spiritual creatures but also of the rest of creation, which thus returns to its origin and attains peace, understood as "tranquility of order" and, as such, as a stilling loving break. Augustine himself, in De Genesi ad litteram and in many other parts of the corpus, provides the necessary elements for this task: deepening in the metaphysical scheme creatio, conversio, formatio, and basing it on the pondus amoris, with which a metaphysics of creatureliness is built allowing a more clear envisioning of what kind of being a creature is and also of who its Maker is.
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SAETEROS PÉREZ, Tamara. Amor y creatio, conversio, formatio en San Agustín de Hipona. [consulta: 31 de desembre de 2025]. [Disponible a: https://hdl.handle.net/2445/59503]