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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/193781
La performatividad de los cultos
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[spa] La siguiente investigación plantea descomponer en muchas partes mi forma de ver y mi aproximación a la sociedad contemporánea, desde su análisis a sus manifestaciones en la práctica artística. La inquietud que da origen a esta tesis surge en nuestras formas de interacción diarias, donde progresiva e involuntariamente omitimos momentos de calidez y cercanía con nuestro prójimo. Corporeidad que perdemos y virtualidad que ganamos en nuestra búsqueda de la mirada ajena, en la aprobación del otro. Gracias al desarrollo de la técnica, lo análogo, la relación directa con las cosas se ha perdido y alcanzado un alto grado de especificidad en su funcionamiento. La ignorancia hace que se deposité fe y confianza en la cosa hasta llevarla a un punto de adoración. Así es como poco a poco se va mitificando nuestra tecnología y el dispositivo por excelencia, el móvil. Este análisis deriva en la creación de un marco teórico para el desarrollo de un pseudo culto a través de la práctica artística en torno a la tecnología y la digitalización. Una sacralidad del absurdo con una estética que exprese interioridad, misticismo y la creación de un nuevo código simbólico irónico y desmitificante.
[eng] This research proposes to break down my view and my approach to contemporary society into several aspects, starting with its analysis and its manifestations in artistic practice. The concern that gives rise to this thesis arises in our forms of daily interaction, where we progressively and involuntarily omit moments of warmth and closeness with our neighbors. Corporeality that we lose, and virtuality that we gain in our search for the gaze of others, in the approval of the other. Thanks to the development of technology, the analogue, the direct link with people and objects is lost. The connection has now reached a high degree of specificity in its functioning. Ignorance causes faith and trust to be placed in objects to the point of adoration. This is how, little by little, our technology and the device par excellence, the mobile phone, are being mythologised. This analysis leads to the creation of a theoretical framework for the development of a pseudo-cult through artistic practice around technology and digitalisation. In my work, absurd sacredness is found with an aesthetic that expresses interiority and mysticism combined with the formation of a new ironic, but also, demystifying symbolic code.
[eng] This research proposes to break down my view and my approach to contemporary society into several aspects, starting with its analysis and its manifestations in artistic practice. The concern that gives rise to this thesis arises in our forms of daily interaction, where we progressively and involuntarily omit moments of warmth and closeness with our neighbors. Corporeality that we lose, and virtuality that we gain in our search for the gaze of others, in the approval of the other. Thanks to the development of technology, the analogue, the direct link with people and objects is lost. The connection has now reached a high degree of specificity in its functioning. Ignorance causes faith and trust to be placed in objects to the point of adoration. This is how, little by little, our technology and the device par excellence, the mobile phone, are being mythologised. This analysis leads to the creation of a theoretical framework for the development of a pseudo-cult through artistic practice around technology and digitalisation. In my work, absurd sacredness is found with an aesthetic that expresses interiority and mysticism combined with the formation of a new ironic, but also, demystifying symbolic code.
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Master de Producció i Recerca Artística, Facultat de Belles Arts, Universitat de Barcelona. Curs: 2020-2021. Tutor: Viladomiu, Àngels
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GÓMEZ FARAH, Emir zenón. La performatividad de los cultos. [consulta: 23 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/193781]