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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/111304
Into the lake: espacio-paisaje-pintura
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[spa] Into the lake explora la sensación de expansión a través del paisaje y el arte. Tomando como referencia la ascensión de Petrarca al Mont Ventoux, se investiga en torno de los conceptos de espacialidad, espacio vivido, espiritualidad en el arte y necesidad del artista. A través de la lectura de ensayos filosóficos-metafísicos relativos a fenomenología, proceso y realidad, naturaleza y percepción, biografías y entrevistas de artistas y planteamientos en torno a la relación entre la fotografía y la pintura, se observa como los
modos de ver la realidad están influidos por los paradigmas imperantes y se relacionan los conceptos con las obras realizadas a partir de dos fotografías panorámicas tomadas en un paisaje donde hay un lago, con sus márgenes y personajes. En la obra pictórica, la energía se traduce en el carácter expresionista, a través del gesto, el color amarillo y la luz. La indefinición refleja la fugacidad del instante, el movimiento. La idea de realidades multidimensionales dan lugar a espacios pictóricos entre la figuración y la abstracción. La
expansión se entiende como crecimiento, desarrollo, proceso, en dimensiones no geométricas sino abstractas.
[eng] Into the lake explores the sensation of expansion through landscape and art. Taking Petrarch's ascent of Mont Ventoux as a reference, research is done on concepts such as spaciality, lived space, spirituality in art and need of the artist, by reading philosophicalmetaphysical essays related to fenomenology, process and reality, nature and perception, letters and interviews of artists and relationship between photography and paintings. Ways of seeing are influenced by paradigmes and they affect the work of an artist as we see in these paintings which are inspired by two panoramic shots of a Landscape, a lake with its banks and bathers, where energy comes from the expressionist approach, by gesture, yellow color and light. Indefinition reflects fugacity of the instant, movement. The idea of multidimensional realities leads to pictorical spaces between figurative and abstract art. Expansion is understood as growing, development, process, in not geometrical but abstract dimensions.
[eng] Into the lake explores the sensation of expansion through landscape and art. Taking Petrarch's ascent of Mont Ventoux as a reference, research is done on concepts such as spaciality, lived space, spirituality in art and need of the artist, by reading philosophicalmetaphysical essays related to fenomenology, process and reality, nature and perception, letters and interviews of artists and relationship between photography and paintings. Ways of seeing are influenced by paradigmes and they affect the work of an artist as we see in these paintings which are inspired by two panoramic shots of a Landscape, a lake with its banks and bathers, where energy comes from the expressionist approach, by gesture, yellow color and light. Indefinition reflects fugacity of the instant, movement. The idea of multidimensional realities leads to pictorical spaces between figurative and abstract art. Expansion is understood as growing, development, process, in not geometrical but abstract dimensions.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2015-2016, Tutor: Gloria Muñoz Pfister
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CARDONA FERNÁNDEZ, Elena. Into the lake: espacio-paisaje-pintura. [consulta: 21 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/111304]