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cc by-nc-nd (c) Renes, Cornelis Martin, 2024
Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/208002

From Lifewriting to postcolonising dreaming narrative: uncanny articulations of race, class and gender in the Indigenous Australian corpus

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[eng] This dissertation and its prequel, my minor thesis, have their seeds in a concern with a certain uncanniness embedded in multicultural developments in Western society. In his 1919 essay “The Uncanny”, Freud explains the uncanny as a special quality of feeling: it is a frightening, disquieting strangeness, rooted in the familiar becoming strange. A century after the publication of Freud’s essay,1 this feeling of estrangement from a known and secure world has become a universal feature of the postmodern West, and locks in with profound changes in Western society felt to be beyond individual and communal control. I am specifically interested in tracing how the uncanny is activated in contemporary issues of race and ethnicity, how it dislocates the Euro-centrism of our identity, and how it signals towards identity’s redefinition along the parameters of race, gender and class through articulation and performance.

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RENES, Cornelis martin. From Lifewriting to postcolonising dreaming narrative: uncanny articulations of race, class and gender in the Indigenous Australian corpus. [consulta: 4 de desembre de 2025]. [Disponible a: https://hdl.handle.net/2445/208002]

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