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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/214915
No encajo: Me responde un autorretrato en su cajón
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[spa] No soy quién como para insinuar que las pinturas, detrás de su aparente superficialidad y sus miradas estáticas, tienen vida propia; pero sospecho que este es un deseo que siempre permanece residual. Querer creer en el artificio que parecen presentar, la intención de ser algo, de personificarse, de ser como una persona. Eso es lo que hace, en cierta manera, No encajo: me responde un autorretrato en su cajón, una serie de reproducciones de formatos diferentes de un mismo retrato pictórico, encapsuladas dentro de un cajón. La idea que se pretende materializar con esto es una que se arraiga a las esperanzas de una servidora a la hora de hacer retratos, y seguir el juego de un autorretrato en particular en su voluntad de ser más que pintura, a partir de su propia reproducibilidad. Tanteando las connotaciones identitarias y narrativas que puedan tener arraigadas, este TFG es el intento de entender este juego no como la sentencia mortal que auguraba Walter Benjamin, sino como la catapulta de la imaginación de lo que la pintura puede sugerir como objeto sensible.
[eng] I do not claim to suggest that paintings, behind their apparent superficiality and static gazes, have a life of their own; but I suspect that this is a residual desire that always lingers. The wish to believe in the artifice they seem to present, the intention to be something, to personify, to be like a person. This is, in a way, what I Don’t Fit: A Selfportrait Responds from its Drawer does—a series of reproductions in different formats of the same pictorial portrait, encapsulated within a drawer. The idea intended to be materialized with this is one that is rooted in my hopes when making portraits, and to follow the game of one specific self-portrait in its will to be more than just a painting, through its own reproducibility. Exploring the identity and narrative connotations they might have, this project attempts to understand this game not as the mortal sentence Walter Benjamin foresaw, but as a catapult for the imagination of what painting can suggest as a sensitive object.
[eng] I do not claim to suggest that paintings, behind their apparent superficiality and static gazes, have a life of their own; but I suspect that this is a residual desire that always lingers. The wish to believe in the artifice they seem to present, the intention to be something, to personify, to be like a person. This is, in a way, what I Don’t Fit: A Selfportrait Responds from its Drawer does—a series of reproductions in different formats of the same pictorial portrait, encapsulated within a drawer. The idea intended to be materialized with this is one that is rooted in my hopes when making portraits, and to follow the game of one specific self-portrait in its will to be more than just a painting, through its own reproducibility. Exploring the identity and narrative connotations they might have, this project attempts to understand this game not as the mortal sentence Walter Benjamin foresaw, but as a catapult for the imagination of what painting can suggest as a sensitive object.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2023-24, Tutor: Cantalozella i Planas, Joaquim
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IBÁÑEZ MIYOSHI, Akane. No encajo: Me responde un autorretrato en su cajón. [consulta: 20 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/214915]