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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/125469
Ethics and Spectatorship in debbie tucker green’s stoning mary (2005) and Caryl Churchill’s Seven Jewish Children (2009)
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[eng] This work considers how theatre works with spectators in order to create an ethical response, taking as case studies debbie tucker green’s stoning mary (2005) and Caryl Churchills’ Seven Jewish Children: A Play for Gaza (2009), drawing on Levinas’s notion of the Other and Butler’s rereading of it, which serve as a tool to examine how both plays pose ethical questions on the audience. The paper also uses Lehmann’s notion of
‘response-ability’ and Rancière’s ‘emancipated spectator’ as theoretical lenses for spectatorship, so as to examine the role of the audience and their ability to respond to the suffering bodies on stage that are normally silenced by the media. In stoning mary, through the staging of human suffering embodied by a white casting tucker green makes visible issues that are not normally considered and explores the audience’s ability to respond to such suffering. In Seven Jewish Children, Churchill allows its audience to perceive different bodies suffering throughout history so as to invite them to reconsider the lack of responsibility that only leads to an ongoing precariousness.
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Treballs Finals del Grau d'Estudis Anglesos, Facultat de Filologia, Universitat de Barcelona, Curs:
2017-2018, Tutor: Enric Monforte Rabascall
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MAYA PRATS, Claudia. Ethics and Spectatorship in debbie tucker green’s stoning mary (2005) and Caryl Churchill’s Seven Jewish Children (2009). [consulta: 15 de desembre de 2025]. [Disponible a: https://hdl.handle.net/2445/125469]