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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/181188
La adaptación cinematográfica de un texto teatral: de Bodas de sangre de Federico García Lorca a La Novia de Paula Ortiz
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[spa]Desde el nacimiento del cinematógrafo este cogió prestado del mundo literario técnicas, argumentos, actores e historias. De estas relaciones formales entre el cine y la literatura surgieron numerosas teorías y estudios, y la cuestión sobre cómo adaptar clásicos literarios a la gran pantalla es una de las que más ha fascinado a los investigadores. En este trabajo realizaremos un estudio comparativo entre la obra dramática Bodas de sangre de Federico García Lorca y su adaptación cinematográfica más reciente, La Novia de Paula Ortiz. Para el análisis nos basaremos en el modelo práctico-teórico planteado por José Luis Sánchez Noriega en De la literatura al cine.
Palabras clave: Adaptación cinematográfica, García Lorca, Bodas de sangre, Paula Ortiz, La Novia
[eng]Since the birth of the cinematographer, it has borrowed techniques, plots, actors and stories from the literary world. Numerous theories and studies emerged from these formal relationships between film and literature, and the question of how to adapt literary classics to the big screen has most fascinated researchers. In this thesis, we will make a comparison between the play Bodas de sangre written by Federico García Lorca and its most recent film adaptation, La Novia by Paula Ortiz. For the analysis, we will base ourselves on the practicaltheoretical model proposed by José Luis Sánchez Noriega in De la literatura al cine. Keywords: Film adaptation, García Lorca, Bodas de sangre, Paula Ortiz, La Novia
[eng]Since the birth of the cinematographer, it has borrowed techniques, plots, actors and stories from the literary world. Numerous theories and studies emerged from these formal relationships between film and literature, and the question of how to adapt literary classics to the big screen has most fascinated researchers. In this thesis, we will make a comparison between the play Bodas de sangre written by Federico García Lorca and its most recent film adaptation, La Novia by Paula Ortiz. For the analysis, we will base ourselves on the practicaltheoretical model proposed by José Luis Sánchez Noriega in De la literatura al cine. Keywords: Film adaptation, García Lorca, Bodas de sangre, Paula Ortiz, La Novia
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Treballs Finals de Grau de Filologia Hispànica. Facultat de Filologia. Universitat de Barcelona. Curs: 2020-2021. Tutor: Blanca Ripoll Sintes
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CEREZO MORENO, Jenny. La adaptación cinematográfica de un texto teatral: de Bodas de sangre de Federico García Lorca a La Novia de Paula Ortiz. [consulted: 12 of August of 2026]. Available at: https://hdl.handle.net/2445/181188