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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/180415
Alicia a través de la pantalla: adaptación, reescritura y mito en medios audiovisuales
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[spa] Alicia y el País de las Maravillas son, hoy más que nunca, parte de la cultura popular. A través de infinidad de adaptaciones, versiones y reescrituras, las novelas de Carroll se han perpetuado como dos de los textos más influyentes de la literatura occidental. En este trabajo analizaremos tres ejemplos de reescrituras audiovisuales con el fin de comprender qué efectos tiene la pervivencia de Alicia en aquellas obras que se pueden leer en relación con ella, y cómo afectan diversos medios y
enfoques en las posibles transformaciones del material original.
[eng]Alice and Wonderland are part of popular culture. Through myriad adaptations, versions and rewrites, Carroll’s novels have established themselves as two of most influential texts in Western Literature. In this work we will analyze three examples of audiovisual rewrites in order to understand the effect that Alicia has on those works that can be read in relation to her, and how different media and approaches affect the possible transformations of the original material.
[eng]Alice and Wonderland are part of popular culture. Through myriad adaptations, versions and rewrites, Carroll’s novels have established themselves as two of most influential texts in Western Literature. In this work we will analyze three examples of audiovisual rewrites in order to understand the effect that Alicia has on those works that can be read in relation to her, and how different media and approaches affect the possible transformations of the original material.
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Treballs Finals de Grau d'Estudis Literaris, Facultat de Filologia, Universitat de Barcelona, Curs: 2020-2021, Tutor: Víctor Escudero Prieto
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GARCÍA MORA, Mario. Alicia a través de la pantalla: adaptación, reescritura y mito en medios audiovisuales. [consulted: 10 of August of 2026]. Available at: https://hdl.handle.net/2445/180415