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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/229711
The influence of Russians ballets in the s. XX: L'Homme sans yeux, sans nez et sans Oreilles from José Soler Casabón and Parade from Érik Satie.
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This article aims at providing a broad appraisal of the fgure of José Soler Casabón through one of his main compositions, L'homme sans yeux, sans nez at sans oreilles (Ho.S.Y.N.O.), a ballet based on the poem Le musicien de Saint Merry written by Guillaume Apollinaire with sets by Pablo Picasso. Parade by Erik Satie and Ho.S.Y.N.O. by Soler Casabón, are two ballets created in 1917. The diference between the two works lies in the fate sufered by each as a result of the outbreak of the First World War, which prevented one of them from being performed. Soler Casabón spent the rest of his life trying to have the work see the light of day, but without any success.
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SOLER CAMPO, Sandra and JURADO BRACERO, Juan. The influence of Russians ballets in the s. XX: L'Homme sans yeux, sans nez et sans Oreilles from José Soler Casabón and Parade from Érik Satie. Music Scholarship / Problemy Muzykal Noj Nauki. 2021. Vol. 2021, num. 1. ISSN 1997-0854. [consulted: 10 of August of 2026]. Available at: https://hdl.handle.net/2445/229711