De Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis

dc.contributor.authorGómez i Cardó, Pilar
dc.date.accessioned2017-09-08T17:45:53Z
dc.date.available2017-09-08T17:45:53Z
dc.date.issued2012
dc.date.updated2017-09-08T17:45:53Z
dc.description.abstractZeuxis was one of the most famous painters of classical Greece. However, none of his paintings have survived; the only way to appraise their value is to consult some words and texts which describe them and tell us who Zeuxis was, what kinds of works he painted, and how he did so. Using Zeuxis as our link, in this paper we aim to bring together the figures of Lucian and Rembrandt, two great names in their respective fields of literature and painting, and consider their conceptions of themselves as artists. As a reference point we use three anecdotes from the written tradition about the Greek painter and his work which may help us reach our goal. The first deals with the execution of a particular painting, the second with his technique, and the third with his death.
dc.format.extent34 p.
dc.format.mimetypeapplication/pdf
dc.identifier.idgrec621643
dc.identifier.issn2210-8823
dc.identifier.urihttps://hdl.handle.net/2445/115206
dc.language.isospa
dc.publisherAdolf M. Hakkert
dc.relation.isformatofReproducció del document publicat a: http://www.lexisonline.eu/wordpress/wp-content/uploads/2016/07/Lexis30_Gomez.pdf
dc.relation.ispartofLEXIS. Poetica, retorica e comunicazione nella tradizione classica , 2012, vol. 30, p. 537-564
dc.rights(c) Gómez i Cardó, Pilar, 2012
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.sourceArticles publicats en revistes (Filologia Clàssica, Romànica i Semítica)
dc.subject.otherLlucià, ca. 120-ca. 190
dc.subject.otherRembrandt Harmenszoon van Rijn, 1606-1669
dc.titleDe Samosata a Leiden: Luciano y Rembrandt en el espejo de Zeuxis
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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