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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/184482
Haima
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[cat] Haima és un concepte procedent de l’antic noruec que fa referència a la casa, no només com a edifici, sinó també al seu entorn, tot el que aquesta alberga, la gent que hi conviu i les sensacions que s´hi produeixen.
Aquest concepte és representat mitjançant una cadira que s’envola en l’aire mentre arrela les seves llargues potes a la terra.
Haima és una obra escultòrica que s’engloba dins del projecte Neònomada, un projecte que tracta la fragilitat de la llar i les migracions constants. Aquesta última peça ens parla del fet de trobar un lloc al món i fer-hi arrels, establir-s’hi.
Aquesta escultura, obre un diàleg entre els termes asseure’s i assentar-se, amb la descontextualització d’un objecte quotidià que fa de representant de la llar.
[eng] Haima is a concept from the old Norwegian that refers to the home, not only as a building, also to its surroundings, all that it houses, the people that live there and the sensations that produce it. This concept is represented by a chair that is growing in the air at the same time as it raises its long legs on the floor. Haima is a sculptural work that is part of the Neonòmada project, a project that addresses the fragility of the home and constant migrations. This last piece tells us about finding a place in the world and rooted, settling there. This sculpture opens up a dialogue between the terms sitting down and settling there, with the uncontextualization of an everyday object that acts as a representative of the home.
[eng] Haima is a concept from the old Norwegian that refers to the home, not only as a building, also to its surroundings, all that it houses, the people that live there and the sensations that produce it. This concept is represented by a chair that is growing in the air at the same time as it raises its long legs on the floor. Haima is a sculptural work that is part of the Neonòmada project, a project that addresses the fragility of the home and constant migrations. This last piece tells us about finding a place in the world and rooted, settling there. This sculpture opens up a dialogue between the terms sitting down and settling there, with the uncontextualization of an everyday object that acts as a representative of the home.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017-2018, Tutor: Moretó Alvarado, Laia
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GIL VIDAL, Laura. Haima. [consulted: 9 of August of 2026]. Available at: https://hdl.handle.net/2445/184482