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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/119944
ASTRAKANADAS
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[spa] El objetivo principal de mi trabajo no se basa en la crítica política.
La investigación que a continuación se evidencia, se ha fundamentado a partir de la personalidad histórica y política, y su escenografía.
Consiste en una desacralización de la personalidad regia o política más concretamente y su puesta en escena: pinturas, numismática, prensa, televisión, etc. Una revisión desligada de toda pertenencia ideológica y sin destruir la apariencia que les convirtió en una figura emblemática.
Escenas que antes creaban al personaje y/o dominaban su imagen, ahora se transforman en lo contrario: escenas liberadas del sentido inicial.
Hago un uso casi “sensacionalista” de su representación y cómo creo que se capta por quienes la observan y ya la han asimilado. La identificación de las personalidades o, mejor dicho, los personajes, ya no es tan fácil, porque parecen no formar parte ni de su tiempo, ni de su estatus; ni tan siquiera de la simbología nacional que les corresponde. Es un juego de anacronismos infinito.
[eng] The objective of my work is not based on political critique. The investigation that follows is based on historical and political personalities and their representation. It consists of a demystification of the regal or political personalities and their staging: paintings, numismatics, press, television, etc. A revision separated from all ideology and without destroying the appearance that turned them into iconic figure. Scenes that created the character and/or dominated their image are turned into their opposite: scenes liberated from their original sense. I give an almost “sensationalist” use of their representation and the way I believe it is captured and assimilated by the observers. The identification of personalities or, rather, the characters, is no longer easy: they don't seem to belong to their time or their status; they're not even accompanied by the corresponding national symbology. It's an infinite game of anachronisms.
[eng] The objective of my work is not based on political critique. The investigation that follows is based on historical and political personalities and their representation. It consists of a demystification of the regal or political personalities and their staging: paintings, numismatics, press, television, etc. A revision separated from all ideology and without destroying the appearance that turned them into iconic figure. Scenes that created the character and/or dominated their image are turned into their opposite: scenes liberated from their original sense. I give an almost “sensationalist” use of their representation and the way I believe it is captured and assimilated by the observers. The identification of personalities or, rather, the characters, is no longer easy: they don't seem to belong to their time or their status; they're not even accompanied by the corresponding national symbology. It's an infinite game of anachronisms.
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Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2017, Tutor: Glòria Muñoz Pfister
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Citació
LARA CORTÉS, José antonio. ASTRAKANADAS. [consulta: 20 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/119944]