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Accepted version

Publication date

2023-09-05

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Please use this identifier to cite or link to this item: https://hdl.handle.net/2445/203659

Psychoacoustics of rock art sites: the case study of the shelters Diosa I and Horadada (Cádiz, Spain)

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https://doi.org/10.34810/data782
 https://doi.org/10.1109/I3DA57090.2023.10289519

Abstract

The Artsoundscapes project seeks to understand the role of acoustics in the selection by past communities of certain environments to set activities involving rock art production. Within this framework, this article addresses the subjective perception of the acoustics of two rock art sites located in Cádiz (Spain): Diosa I and Horadada. The psychoacoustics of these two rock art sites is investigated by means of two separate listening tests. In the first test, a group of participants develops a corpus of words to subjectively describe the acoustic features of the selected sites. In the second test, a different group of participants rates the descriptors assigned by the first group. The auralizations, rendered via a third order Ambisonics speaker array, consisted of ten sounds of different characteristics (including singing, speech and music) convolved with a set of impulse responses gathered at the selected sites.

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Podeu consultar les dades associades a recurs relacionat: https://doi.org/10.34810/data782

Subject

Pintura rupestre, Acústica, Cadis (Andalusia)

Subject (English)

Rocks paintings, Acoustics, Cádiz (Andalusia)

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Comunicacions a congressos (Història i Arqueologia)
Comunicacions a congressos (Institut de Neurociències (UBNeuro))
Comunicacions a congressos (Psicologia Clínica i Psicobiologia)

Citation

LÓPEZ-MOCHALES, Samantha, et al. Psychoacoustics of rock art sites: the case study of the shelters Diosa I and Horadada (Cádiz, Spain). Comunicació a: 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA). 5-7 setembre 2023. Bologna. [consulted: 18 of August of 2026]. Available at: https://hdl.handle.net/2445/203659

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