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Treball de fi de grauData de publicació
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Si us plau utilitzeu sempre aquest identificador per citar o enllaçar aquest document: https://hdl.handle.net/2445/217579
/estructures calcicocelulòsiques/
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[cat] Aquest treball neix a partir d’observar i treballar uns materials que els sento familiars i pròxims, de veure com funcionen i com interactuen entre ells i amb la resta de cossos que els rodegen. El ciment i el paper tenen aspectes en comú i això es veu quan se’n fa una descripció epistemològica i processual, però, sobretot, quan els treballo manualment. A partir qüestions històriques, inclús socials, referencio a
pensadores i artistes que m’ajuden a desenvolupar alguns dels conceptes d’aquest text.
Per entendre els materials s’ha d’entendre el seu procés, involucrar-se en aquest fins que el material ho permeti. D’aquesta manera, en el meu treball artístic, opto per subvertir la idea tradicional que s’associa als
usos del paper i del ciment, entrecreuant els seus llenguatges, donant peu a una relació estètica i processual entre els dos materials.
[eng] This work is originated from observing and working with materials I feel familiar with and are close to me, from observing how they perform and interact with each other and with the other bodies that surround them. Cement and paper have aspects in common, which is evident when one makes an epistemological and procedural description of them, but especially when I work with them manually. Based on historical, even social, questions, I reference researchers and artists who help me develop some of the concepts in this text. To understand the materials, one must understand their process, involving oneself in it as far as the material allows. In this way, in my artistic work, I choose to subvert the traditional idea associated with the uses of paper and cement, intertwining their languages, leading to an aesthetic and procedural relationship between the two materials.
[eng] This work is originated from observing and working with materials I feel familiar with and are close to me, from observing how they perform and interact with each other and with the other bodies that surround them. Cement and paper have aspects in common, which is evident when one makes an epistemological and procedural description of them, but especially when I work with them manually. Based on historical, even social, questions, I reference researchers and artists who help me develop some of the concepts in this text. To understand the materials, one must understand their process, involving oneself in it as far as the material allows. In this way, in my artistic work, I choose to subvert the traditional idea associated with the uses of paper and cement, intertwining their languages, leading to an aesthetic and procedural relationship between the two materials.
Descripció
Treballs Finals de Grau de Belles Arts. Facultat de Belles Arts. Universitat de Barcelona, Curs: 2023-24, Tutor: Negre, Marta, 1973-
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RIPOLL LLOPART, Helena. /estructures calcicocelulòsiques/. [consulta: 24 de gener de 2026]. [Disponible a: https://hdl.handle.net/2445/217579]